建築改造之柏林Michelberger酒店翻新設計-設計風向

總部位於倫敦的Jonathan Tuckey Design和丹麥Sigurd Larsen建築師翻新了柏林的Michelberger酒店的大堂和客房。Michelberger酒店現在擁有23個房間和一個能自由活動的大堂區域與一些新的家具。

London-based Jonathan Tuckey Design and Danish architect Sigurd Larsen have updated the Michelberger hotel in Berlin, refreshing its lobby and guest rooms.The Michelberger now boasts 23 additional rooms and a rejuvenated lobby area with new fixtures and furnishings.

這家酒店於2009年開業，位於Oberbaum橋旁，以前是一家照明工廠。它最初是由設計師Werner Aisslinge和二人組Anja Knauer和Sibylle Oellerich設計的，他們在整個室內設計中使用了跳蚤市場的家具和廉價材料。位於倫敦西部的Jonathan Tuckey設計工作室的任務是設計最新係列的套房，這些套房位於酒店的四樓。空間看起來極簡，但充滿溫暖、魅力和謙遜，並采用了各種樸實的色調。

Opened back in 2009, the hotel occupies a former lighting factory beside Berlin’s Oberbaum Bridge. Its low key aesthetic was originally developed by designer Werner Aisslinger and styling duo Anja Knauer and Sibylle Oellerich, who incorporated flea-market furnishings and inexpensive materials throughout the interiors.West London-based studio Jonathan Tuckey Design was tasked with creating the latest series of suites, which sit on the hotel’s fourth floor. Intended to look minimalist yet “full of warmth, charm and humility”, the rooms have been decked out in a variety of earthy tones.

灰白色的牆壁與蘑菇色的地板搭配，還有沙黃色的窗簾和床罩。床架、擱架和床頭櫃都是由淺色膠合板製作而成，這種膠合板在製造過程中分泌出天然樹脂，使其外觀略顯陳舊，水磨石瓷磚用於整個浴室。

Off-white plaster walls have been paired with mushroom-coloured floors, along with sandy beige curtains and bed throws.Bed frames, shelving units, and side tables have been crafted from light-hued Panerholz—modified plywood which secretes natural resins during the manufacturing process, lending it a slightly time-worn appearance. Terrazzo tiles have been used throughout the bathrooms.

選擇的材料必須是有觸感的，並且要融入到工業環境中，隨著時間的推移，這些材料會優雅地老化，甚至更加嵌入室內空間。

“The materials selected had to be tactile and appear nestled within the industrial setting, which would age gracefully and become even more embedded into the interior spaces as the years went by,”.

在大廳裏，丹麥建築師Sigurd Larsen懸掛了Berlin Art Glas公司製作的一係列造型大膽的琥珀色枝形吊燈。這些燈泡以“不完美”的玻璃球封裝成一串一串的燈泡為特色，意在向上世紀五六十年代的產品設計致敬。Larsen還決定保持大堂的布局，隻是簡單地用新的木製沙發取代現有的座位。

In the lobby, Danish architect Sigurd Larsen has suspended a series of bold, amber-coloured chandeliers made by Berlin Art Glas. Featuring bunches of lightbulbs encased in “imperfect” glass spheres, the lights are meant to nod towards 1950s and 1960s product design.Larsen otherwise decided to maintain the lobby’s arrangement and simply replace the existing seating with new timber sofas.