這是直向建築繼海邊圖書館、教堂之後的第三個在北戴河阿那亞社區中的海濱公共空間。餐廳緊鄰圖書館，所以，怎樣和一個強烈的、已存在的空間物體形成一個相適應的共存關係是設計的重要起點。圖書館是一個具有整體性和明確空間邊界的精神性場所，風、光線和周邊視野等自然元素在空間中被再次定義和塑造。在那裏，人於海是一種“凝視”的關係。而對於餐廳，我們希望呈現出來的是一種非整體化的，更加輕鬆、日常的空間氛圍。相對於圖書館中被“凝視”的角色，海在這裏成為了某種背景，人在就餐之餘瞟向大海，就不經意地看到了海上發生的一切。
After the “Seashore Library” and “Seashore Chapel”, “Restaurant y Sea” completes the trilogy of Vector Architects’ seashore series at Aranya Community in Beidaihe New District. The restaurant is situated right behind the library across the beach. We initiated the design by investigating how to create a coexisting relationship with the mighty solid library volume. The library is a spiritual place with a clear boundary. The natural elements, like wind, light and surrounding views, are defined and shaped throughout the space where people can gaze upon the sea while sitting in the terraced library. As for the restaurant, we intend to establish a dispersed and a more casual everyday atmosphere. Instead of the seascape being the visual focus for people, as it is in the library, it acts as the backdrop in the restaurant. People will notice what happens on the sea as they dine and inadvertently glance towards it.
餐廳碎化的空間邊界及內院與場地中的樹木相互嵌套，建築空間隨著周圍隆起的地形呈現為一個無方向性的漂浮屋蓋，在樹林中若隱若現。樹冠、屋蓋與下方的就餐空間組成剖麵上的三個層次。伴著海風，搖曳的樹影透過屋頂天窗投映在就餐空間的牆麵和地麵上，忽明忽暗，自然與空間藉此被相互聯接。種有樹木的內院又為空間深處引入了光和風，同時也成為組織空間的樞紐元素。空間被院子分隔串聯，又圍繞著院子遊弋開來。落地的清水混凝土院牆形成了整個建築的抗剪受力係統，從而使得直徑120mm的支承厚重簷口的細鋼柱成為可能，鋼柱的截麵尺寸與周圍的樹幹相仿，使它們在視覺上更易融入環境當中。
Trees are interlocked within the fragmented spatial boundary and courtyards. The architecture appears as a non-directional canopy floating above the undulant landscape, looming in the woods. From top to bottom, the tree crowns, building roof, and dining area underneath constitute the three major layers in the section sequentially. Tree branches sway with the sea breeze and cast their shadow through the skylights onto the wall and floor. The dining space becomes animated with the flickering of light and shadow, cultivating another dimension of indirect engagement between space and nature. The inner tree courtyards bring light and airflow deep into the restaurant, and at the same time, like hinges, they anchor the space. The courtyards simultaneously divide and connect the surrounding spaces. The full height fair-faced cast-in-place concrete walls of the courtyards resist the sheer force of the whole building, which makes it possible to support the load of the thick eaves on columns of only 120mm in diameter. This way, the slender steel elements, similar in diameter to the surrounding tree trunks, blend in the surrounding woods.
整個建築沒有明確的主入口，位於空間四周的推拉門可以被完全打開，此時，整個空間就變成了一個“亭子”。人在各個方向進入就餐空間之前，都會先進入一個被壓低的簷下過渡空間，繼而逐漸步入被光籠罩、浸染的中央隆起的屋蓋下方。我們在這裏有意識地通過高度來控製過量側向直射光進入的幹擾，從而保證由井字梁頂透光所形成的浮起的“雲朵”般的空間氛圍。井字梁的結構形式緩解了豎向受力構件的嚴格對位關係，在盡量減少結構牆體的出現的同時也使得平麵的錯位和流動性成為可能。
There is no designated main entrance for the restaurant. Instead, clear glass sliding doors are placed along the perimeter, which, when fully opened, cause the spatial boundary to disappear, turning the building into a “pavilion”. People can approach the dining space from any direction. They will firstly step into a transitional space with a lowered eave, and then gradually walk into the main dining area under a raised-up central roof, illuminated by immersive natural light. We consciously reduce the interference of excessive side light by controlling the clear height of the eaves, in order to create an atmosphere of being under a floating “cloud” as a result of the light-filtering waffle beams. The waffle beams remit the need for strictly aligned load-bearing elements and minimize the amount of structural walls, which help achieve the staggered fluidity of the plan.
在我們看來，每一種建築背後都指向了一種獨特的生活關係和與之對應的情感方式。不同公共功能的空間裏麵也都包含著有別於日常房屋的意義。人的生活需求塑造了空間，同時又被空間影響。建築中的視野、光和風，都是人和自然發生關係的途徑，它們將人和外界緊密聯係在了一起，日常的空間因此便具有了某種精神意義的暗示。
We envision that each type of architecture can essentially refer to a unique lifestyle as well as the emotional expression corresponding to it. These various public spaces take on a meaning beyond that of an everyday space. The demand of people’s lives sculpts them, while in the other way around these spaces affect people’s lives. Light, wind and view in architecture are all the paths leading people to interact with nature. They closely integrate people with the outside world, and ultimately, an everyday space will imply a kind of spiritual meaning.
∇ 草圖
∇ 平麵圖
∇ 立麵圖
∇ 剖麵圖
∇ 牆身詳圖
∇ 模型
完整項目信息
項目名稱：海邊y餐廳
項目位置：中國北戴河新區
建築公司：直向建築
主持建築師：董功
項目建築師：張愷
設計/建造管理：劉晨，孫棟平
項目成員：馬小凱，江存裕、張鵬
駐場建築師：張釗，塗單
結構及設備專業設計：中國建築科學研究院
結構顧問：肖從真，儲德文
燈光顧問：清華大學建築學院張昕工作室
業主：天行九州旅遊置業開發有限公司
結構類型：混凝土框架剪力牆結構
建築材料：混凝土，鋼，竹鋼
建築麵積：713㎡（地上626㎡，地下87㎡）
設計周期：10/2015-06/2016
建設周期：12/2016-01/2018
攝影：蘇聖亮，陳顥
