Fabrizio Casiraghi l 巴黎裝飾藝術Drouant餐廳-設計風向

意大利建築師兼室內設計師Fabrizio Casiraghi重新設計了位於巴黎的Drouant餐廳，負責更新其裝飾藝術規範。作為這座城市的一顆明珠，這座曆史建築最近重新開放，舉辦了prix goncourt，這是自1914年以來在其私人沙龍舉辦的一場享有盛譽的法國文學盛典。

tasked with updating its art deco codes, italian architect and interior designer fabrizio casiraghi has redesigned the drouant restaurant in paris. considered one of the city’s jewels, the historical establishment recently reopened in time to host the prix goncourt, a prestigious french literary ceremony held in one of its private salons since 1914.

最初是一間簡單的煙草酒吧，但該店充滿了法國傳統。20世紀20年代末，這裏變成了一個美食勝地，這在一定程度上要歸功於法國設計師埃米爾 – 雅克·魯爾曼(emile-jacques ruhlmann)，20世紀初法國裝飾藝術代表之一。

originally a simple tobacconist bar, the dourant is steeped in french heritage. it was turned into a gourmet destination in the late 1920s, thanks in part to french designer émile-jacques ruhlmann, who is often referred to as the ‘the pope of art deco.’

2018年，斯蒂芬(stéphane)、蒂埃裏(thierry)和勞倫特·加德尼爾(laurent gardinier)三兄弟買下了這家餐廳，他們還擁有法國美食餐廳taillevent。魯爾曼原來的樓梯仍然是一個突出的特點，由casiraghi的團隊翻新-這是唯一的原始功能，經受住了時間的考驗。

bought in 2018 by brothers stéphane, thierry and laurent gardinier, who also own french gastronomy restaurant taillevent, the pair were keen to continue the traditions of the past while establishing drouant firmly in the present. ruhlmann’s original staircase remains as a standout feature, renovated by casiraghi’s team — it’s the only original feature that has withstood the test of time.

“在Drouant身上有一種強烈的曆史感：那就是魯爾曼，”casiraghi說。“他在20年代設計了這家餐廳，但今天隻剩下連接地麵和一樓的樓梯。我們本可以決定進行一次真正的曆史重建，或者，我們決定從這個遺產開始，創造一些現代的，甚至是當代的東西，但使用一些明顯的魯爾曼的設計手法：把手、椅子、一些燈具。”

in drouant there was a strong historical reference: ruhlmann,’ said casiraghi. ‘he designed completely the restaurant in the 20s’ but what is left today is just the marvelous staircase connecting the ground and the first floor.‘we could have decided to make a real historical reconstitution or, and this what we decided to do, we could have decided to start from this legacy to create something modern, even contemporary but using some accents clearly ‘a la ruhlmann’: handles, chairs, some lamps.’