全球設計風向感謝來自 故事空間 的辦公會所空間項目案例分享：
“山水有待如知己”，中國人始終認為山水是人格化情感可以相互感應的對象。
“The mountains and rivers need to be be treated as confidantes .” The Chinese always believe mountains and rivers as the objects personified to sense each other ’s emotion.
這個空間的調性在一開始就要考慮其穩重和道統的關係，所以儀式感和空間序列感在創作中貫穿始終的重要基本框架。茶道和香道是該空間的業主欲向外傳播的很重要的道統文化脈絡，這是其自身的價值。作為一個企業會所，亦要重塑空間主人與生俱來的涵養積澱，在空間設計中滲透出低調謙恭、平和沉著的氣質，所以符號化表意，就變得尤其重要。
It needs to be considered the relationship between its stability and orthodoxy from the beginning when mentioning the tone of this space.Therefore, the sense of ritual and the sense of spatial sequence are the the important basic frameworks which run through the creation . The sado and incense lore are the important cultural contexts of the Confucian orthodoxy that the owner of the space wants to spread outwards, which is its own value. As a business club, it is also necessary to reshape the accumulation of the inherent self-cultivation of the space owner , and infiltrate the temperament of low-key humility the peace and composure into the space ’s design .So symbolized expression becomes particularly important.
開門，是隱喻迎賓的一個重要禮儀，所以才有了見山的概念。這個緣起即見山如見人：見山是山。
Opening the door is a metaphor to greet guests .That is how the concept of seeing the mountain begins .This origin is to see a mountain is just like to see a person at the first sight : to see a mountain as it is.
接下來，從中軸線邁入：見山非山。在每個開放與半開放的功能空間內，茶道與香道以饗賓客，享用色、聲、香、味、觸五感的體驗的過程，亦是了解主人的過程。
Next , when stepping into the space from the central axis , it is like to see the mountain as it is not a mountain any longer . In each open and semi-open functional space, there is the sado and incense lore for guests to enjoy the experience of color, sound, fragrance, taste, touch, which is also the process of knowing about the owner.
最後回到入口—見山還是山，但此山已非彼山。見空間如識主人，如此，就是整個空間流線的創作概念。
Finally ,when going back to the entrance , it is like to see the mountain as a mountain, but this mountain is no longer the other mountain which we see from the beginning . To see the space is just like to know the master ,which is the creation concept of the whole space streamline.
【入口，見山是山】
[The entrance, to see a mountain as it is]
古木紋石黑白相間條紋表流水，意為情義源遠流長，如地毯般延至端景，古琴與香案意整冠、靜心。
Ancient wood grain stone with the black – and – white stripes symbolizes the running water which means love with a long history is like a carpet extended to the end of the scene.A guqin means adjusting one’s hat and an incense table means meditation.
【中軸線，見山非山】
[The central axis,to see the mountain as it is not a mountain any longer ]
唐代詩人於武陵在《尋山》中寫道：青山如有利，白石亦成塵。水闊應無路，鬆深不見人。玻璃枯山石景意為內心明靜與克製。撥雲見山，符號化永遠是設計人踏遍內心的追尋，抑揚頓挫，抑或記黑當白，記白當黑，這是空間的韻律、節奏與虛實關係。
Yu Wuling, a poet in the Tang Dynasty, wrote in his poem “looking for the mountain”: If a green mountain is advantageous to human beings, even one white stone will turn to dust;If the lake is wide, there will be no way to the other bank ; If stepping into a deep pine forest ,there will be no people .The dry landscape made of glass means inner peace and restraint . Like dispelling the clouds to see the sun , symbolization is always a designer’s life-long pursuit . Cadences or reckoning blank as inked while reckoning inked as blank ,are the relationship among the rhythm of space, rhythm and “Virtual and Essence”.
我願意把設計看成是對生活的一種隱喻，雖然並不是每個人的審美、感知、觀點都是一致的，但我仍願意按這樣的思考方式來設計創作。每經曆一個項目的設計過程，就像一次見山的過程。而生命有如廣闊的天地，選擇就像我們的心路，踏著由心的路走壯美山河，吹一吹那崖上的風，聽一聽那鬆濤的千回百轉……才撥開雲霧見人生。
I would like to see design as a metaphor for life . Although not everyone is the same in the aspect of aesthetic, perception and view . I am still willing to design and create in this way of thinking. Every time when you go through a project design, it’s like to see a mountain. Our life is like a vast world, and our choices are like roads in our hearts . Walking through the beautiful mountains and rivers from our hearts , feeling the wind on the face , listening to the twists and turns of the pine waves , you will have a feeling that you get rid of the clouds and see the true meaning of life.
【出口—見山還是山】
[The exit , to see the mountain as a mountain ]
主要項目信息
項目位置：廣東揭陽
Project Location: Jieyang , Guangdong Province
項目類型：辦公會所空間
Project Type: Office Space
設計公司：故事空間
Design Company: SIAD
主創設計：朱海博
Chief Designer: Hihope Zhu
參與設計：方潔等
Participating Designer: Fang Jie
項目麵積：1000平方米
Project Area: 1000 square meters
材質：古木紋石、灰木紋石、胡桃木、調光玻璃等
Materials: ancient wood stone, gray wood stone, walnut, dimming glass, etc.
主創設計師
朱海博 Hihope Zhu
室內建築師
深圳市室內設計師協會 副秘書長
壹同創意集團 創始人
深圳市故事空間設計有限公司 創始人
米蘭理工大學國際室內設計管理碩士
75年生人。畢業於意大利米蘭理工大學，後於英國倫敦大學學院UCL Bartlett建築學院與日本東京ICS藝術學院深造。曾參與馬來西亞雲頂娛樂場VIP中國廳及馬來西亞前總理吉隆坡別墅裝飾設計；主持設計過包括集酷集團、東方銀座酒店集團、大洋百貨等眾多商業空間及私人住宅項目，擅長酒店、辦公、地產銷售中心、樣板間、購物中心等商業空間。
