全球設計風向感謝來自 水相設計（http://www.waterfrom.com） 的住宅空間項目案例分享：
時間在鍾麵上按刻度等速前進，均質而無一例外；但在物質表麵，時間是朝四麵八方自由地滲透蔓延，或深或淺改變了物的外貌，所謂歲月的痕跡，或許更應稱為時間存在的浪漫形式。
Time moves forward on the clock based on scale with a constant velocity, and here it is uniform without exception; but for the material surface, time freely penetrates and spreads around in all directions, changing the appearance of material slightly or significantly. The so-called traces of time should be referred to as the existence of time just in a romantic way.
等待，是崇尚藝術的自我修行 Waiting is a self-cultivation for advocating art
本案基地方正、尺度大而使用人數單純，空間布局與機能相對有彈性。業主講求整體呈現低限度的中性質感，如何安排材質凸顯量感、造型力道並以其質感特征表述生活調性，成為水相設計規劃空間風格的著力點。
In this case, this base is square and large. Due to being used by fewer users, its spatial layout and functions are comparatively flexible. Since the owner pursues minimal neutrality in the overall presentation, Waterfrom Design focuses on arranging materials to highlight the sense of quantity and the power of modelling, while expressing life style by its features of sense.
∇ 概念圖
我們想象，物質隨日久而色澤、型態漸變的定律，其實是時間在空間裏不間歇創作的曆程，如同Giacometti畫布上反複覆寫的輪廓線條，組成一幅時序並存的記憶流動作品。
We can imagine the situation that the material’s color and shape change gradually over time, which actually is a process of continuous creation by time in space, just as the repetitive silhouettes drawn on the Giacometti canvas constitute a work of timing with flowing memories.
地麵自然漸層的義大利黑色係水磨石、紋理天然的洞石、立體而富量感的山毛櫸實木，選擇之初，即希望藉由它們的特質隨日光及使用軌跡累積出值得等待的醇厚。
At the beginning, we choose the black Italian terrazzo with gradient color, travertine with natural pattern, and solid beech rich in sense of quantity, hoping that they can be given more worthwhile texture with the exposure to sunlight and the accumulation of traces of use based on their characteristics.
編排線條的秩序與自由 Order and freedom of arranging lines
像一場持續紀錄的材質實驗計畫，選材同時延續我們一貫強調的約略性美學邏輯。
As an ongoing material experiment plan, we uphold our emphasis on the concise aesthetic logic when selecting materials.
入口由上千根實木條排列出的牆麵，在打亂而重新排列的木紋中展現了深淺自然律動，非矩陣編排的牆體塑造藝廊廊道，自然分流步向書房及更深層的室內動線。
The walls at the entrance are arranged with thousands of solid wooden strips, showing dark and light natural flows in their rearranged wooden patterns. The walls of no-matrix arrangement form an art gallery and naturally separate line of motion toward a study and inner. The island-shaped axle cylinders are arranged like a light massing through grilles.
島嶼般的軸線柱體，透過格柵編排成一座輕盈的量體，廚房旁鍍鈦衝孔網櫃門的朦朧透視亦然，它們的內部照明與自然光交織成溫馴的光，在低限線條的空間展現戲劇張力。
The dreamy perspective of the punching titanium-coated net cabinet door beside the kitchen is also like this, and its internal illumination lights have interwoven into a gentle light together with the natural lights, showing a dramatic effect in a space of low-limit lines.
偌大公共區域，每處由材質建立份量的底牆都是一個場景，隨家具擺飾及生活演化定義其屬性，過道或座席、線與形、虛與實，都是邊界彈性而模糊的存在。
In a huge public area, each bottom-wall showing its texture by its distinctive material is a scene, of which nature can be decided by its ornaments and life evolution. The corridor or seats, lines and shapes, and virtual part and reality all reveal the existence of bounds in a flexible but vague way.
即便在臥室裏，順應窗景布局的多向度動線，也強化了室內行為不受造型拘束的設計精神。
Even in the bedroom, the multidimensional line of motion adapting to the layout of the window view also enhances the design spirit that the interior design is unconstrained by modeling.
解構再排列，是另種賦予材質新表情的設計手法，例如次臥床頭及洗手台牆麵的紅磚，我們用了極細的切割線和疊砌方式，編排出嶄新的色澤線條變化，打破磚體予人古樸厚重的既存印象，宛如全新的語言係統。
The re-arrangement after deconstructing is another design technique for giving new patterns to materials. For example, very fine cutting lines and brickwork of red bricks have created new hues and line patterns for the headboard of the second bedroom and backsplash of the bathroom vanity, thus breaking the commonly perceived heavy images of bricks and presenting a completely new language system.
相較於牆體張力十足的材質變化，天花板是完整但素雅沉靜的係統，離地一致的高度之上，以波浪狀有機曲度跨越各區塊，脫開立麵材質演變的穹頂，采用一致的視覺符號——白色，整合平麵自由的室內空間。
Compared with the walls with appealing changes of material, the ceiling is a complete, plain but elegant system. Above the same height from the ground, it crosses all blocks with a weave-shaped curve, away from a dome made from facade materials. An agreed visual sign-white is adopted to integrate the interior spaces with free plane.
以真實生活記載品味 Manifest taste with true life
我們認為這是一間值得靜候的住宅，在觀點開放而具彈性的空間架構中，不僅當前的成果能表述觀點品味，更期待五年、十年後材質呼吸演化的樣貌，抑或空間使用者隨生活、見聞積累推進的個人變化，在能夠覆寫、包容未來經驗的空間裏，尋得平靜與心性的自由。
We think it is a house that is worth waiting for. With its open and flexible spatial structure, the house can show a view and taste not only at present, but also after five or ten years when the materials have evolved over time, or the space has witness the accumulation of personal changes of the owner in everyday life. In this space that can record and embrace the future experience, one will find peace and freedom of mind.
∇ 平麵圖
∇ 立麵圖
項目信息
空間設計：李智翔、郭瑞文、林亭妤、陳皙/水相設計（http://www.waterfrom.com）
業主：邱小姐
空間性質：住宅
座落位置：中國台灣
室內麵積：426平方米
空間格局：客廳、餐廳、廚房、主臥室、主衛浴、次臥室、次衛浴、書房、更衣室、客廁、起居室、儲藏室、陽台
設計時間：2018.03~2018.08
施工時間：2018.09~2019.11
攝影：李國民空間攝影事務所
部分家具：Riva1920椅凳、Poltrona Frau沙發、capodopera書房長桌、Henge 18 Pendant吊燈、Pacini & Cappellini鏡
Designer: Waterfrom Design (http://www.waterfrom.com)
Client: Ms. Chiu
Category: Residential
Location: Taiwan
Area: 426 m2
Layout: living room. dining room. kitchen. study area. master room. second room. dressing room. bathroom. storage. balcony
Design Period: 2018.03-2018.08
Construction Period: 2018.09-2019.11
Photographer: Lee Kuomin Photography Teams
Copyright: Waterfrom Design
Furniture: Riva1920 stool、Poltrona Frau sofa、capodopera table、Henge 18 Pendant、Pacini & Cappellini mirror
