全球設計風向感謝來自 門覺建築 的餐飲空間項目案例分享：
內部的潛力 Internal Potential
項目的場地位於主體建築一層，在底層建築回廊空間的一側，室外光線經過廊道二次過濾，內部光線得以被柔和。原建築設計的功能不能在滿足新的需求，建築主體的一層層高有近5米，這些是建築到功能使用上的矛盾特征。Emest J.Eitel 在書中說：不要把一個事先想好的概念強力到你的基地以及基地周圍的東西，最重要的影響力來源應該是你的基地以及基地周圍。這樣一種思考引起我們把注意力集中在空間原始特征上，如幽暗的自然光，分割的空間，功能的明確等。
The project site is located on the first floor of the main building. The outdoor light is filtered secondarily through the corridor to soften the internal light on one side of the corridor space of the ground floor. The function of the original architectural design fails to meet new requirements. The first floor of the main building is nearly five meters high, which is the contradictory characteristic of the building in function application. In a book, it was advocated by Emest J.Eitel not to impose the preconceived concept on your base and its surroundings which were taken as the most important source of influence. It causes us to focus ourselves on the original features of space, such as the dark natural light, the divided space and the clear function.
圍的形式介入 Intervention of the Circumferential Form
茶室功能的明確，就猶如建築在建造時需要明確性一樣重要。為了達到一種茶室的空間特質，還需要通過組織去完成空間形式的精準。
The definition of tea house functions is just as important as the need for clarity in construction. In order to achieve the spatial characteristics of a tea house, it is also necessary to complete the spatial form precision through organization.
在東方文化下，從最早的茶攤到茶館，是一種“沒有空間的茶室”到有的變化，這其中空間的有無帶了對場所體驗的明確性，空間讓喝茶方式的產生新的體驗。這種體驗在居室“圍”的空間形式中產生，在圍的形式中，坡頂更具有居室庇護感。
In the oriental culture, it is a kind of change from “teahouse without space” to “teahouse with space” in terms of the relationship between the earliest tea stand to the teahouse. The existence of space is endowed with clarity about the experience of place and space brings the new experience about the tea drinking mode. This kind of experience is formed in the circumferential space form of “house”. In the circumferential form, the slope top is endowed with the stronger room protection sense.
圍的形式下創造多個茶室空間，它們可以踏石步入而座，可低頭彎腰而坐，可入茶席而坐，可拾級而上沿窗而坐，使室內具備了大尺度下的外部自然感，空間被調動起來。我們希望在喝茶的過程中可以體驗到內部，外部，中間態，這些空間感受。
A lot of tea room space is created in the circumferential form, including the stone tea room space, the bending tea room space, the tea table and the tea room space along stairs and windows, so that the interior is endowed with the large-scale external natural sense, resulting in space mobilization. It is hoped to experience internal, external, intermediate states and spatial feelings in the process of drinking tea.
陰翳之美 Beauty of shade
穀崎潤一郎在陰翳禮讚中說到陰翳之美表現為對直接光照的排斥，而追求微弱光線營造的幽暗之美。在圍的形式下產生的中間態，讓陰影有機會遊離於其中，天然材料的特質可以直抵觸覺，寄於對自然感的再現，主要使用泰山石，枯山水，硯台石，夯土，柚木質樸的材料。牆麵柚木微弱的反光，地麵深色的磚，粗糙的夯土在泰山石的重量下顯得很輕質，安靜的氛圍被逐步營造，當進入茶室時內心的焦慮或許在這坐下後注視著周邊安靜的喝一杯茶能夠平複。
It was described by Junichiro Tanizaki in “Lob des Schattens” that the beauty of the shade was reflected in the beauty of darkness created by the pursuit of weak light as a result of the rejection of direct light. The intermediate state which is generated in the circumferential form makes the shadow to dissociate in it. The characteristics of natural materials can directly reach the touch and rely on the reappearance of the natural feeling. It is made of simple material, mainly including Mount Tai Stone, Japanese Rock Garden, Inkstone, Tamped Earth and Teak. The weak reflection of teak on the wall, the dark brick on the ground and the rough Tamped Earth is very light compared with Mount Tai Stone. The quiet atmosphere is gradually created. When you enter the tea room, your inner anxiety may be eliminated by sitting down, watching the surrounding area and drinking a cup of tea quietly.
∇ 一層平麵圖
∇ 二層平麵圖
∇ 透視剖麵圖
∇ 軸測圖
項目信息
地理位置：上海市浦東新區遠東宏信廣場，中國
業主方：遠東宏信
設計方：門覺建築
公司網站：www.mj-architects.cn
聯係郵箱：www.menjuearchitects@qq.com
設計成員： 劉飛 黃滿軍 胡繼樟 周禕
軟裝設計： 赫婷婷
景觀設計：楊曉燕
插花設計：禾莯
材料：柚木木飾麵，硯台石，夯土，獐子紙，泰山石
建築麵積：500 ㎡
設計周期：09/2018-12/2018
建設周期：12/2018-03/2020
攝影：陳銘
Location: Far East Hongxin Plaza, Pudong New Area, Shanghai City, China
Owner: Far East Hongxin Plaza
Designer: MenJue Architects
Company website: www.mj-architects.cn
Contact Email: www.menjuearchitects@qq.com
Design members: Liu Fei, Huang Manjun, Hu Jizhang and Zhou Yi
Soft design: He Tingting
Landscape design: Yang Xiaoyan
Flower arrangement design: He Mu
Material: Teak Veneer, Inkstone, Tamped Earth, Zhangzi Paper and Mount Tai Stone
Construction area: Five hundred square meters
Design cycle: Sep, 2018 to Dec, 2018
Construction period: Dec, 2018 to Mar, 2020
Photographer: Chen Ming
