全球設計風向感謝來自 今朝風日好 的複合商業空間項目案例分享：
在一個有物質肥胖症的街區中，
嚐試從過去和潮流的塵埃裏撿拾碎片，搭建這處小小的廢墟，
塑造一段被慢慢遺棄的時間。
In a block of excess resource, we wish to set up a space based on collecting the fragments of the past and to re-define the time of forgotten.
有些時間，成為金屬頹牆；
有些時間，成為化了妝的鏡片；
有些時間，成為舊紙裝飾了畫框；
有些時間，成了被科技玩弄的古典……
Here, time is shown on the metallic ruins;
time could be glimpsed through the tinted lens;
time has been adorning the frames;
And here, time has brought about the classics especially in the heyday of technology…
每一種時尚，都是用過即棄的時間，
秋來春往，一衣一布也因身體的離去變成時間的碎片。
在這個新造的空間裏，今朝風日好（One Fine Day Studio & Partners，簡稱ofD）用玻璃纖維量身創作了不同的家具，用宣紙代替了天花與土牆，還有建了半層高的樓梯回轉……同時ofD也挑撿了Gufram中看不中用的沙發、Thomas & Vines的黑絨鏡子，還有Olivier Gregoire像紙一樣柔弱的椅子來裝點那些觸碰不到的時間。
Maó空間，被時尚追趕，也在鬧市裏收集時間。
Just like fads are determined to be outdated as time goes by, all things would come and go as temporal fragments.
In this newly established space, One Fine Day Studio & Partners (ofD) has customized all sorts of furniture by using fiber glass, made the ceiling and walls with Xuan paper and built a spiral stairway of half storey height. Not only this, in order to play with the idea of time being intangible, ofD has also picked the visually stunning sofa of Gufram, the black velvet mirror of Thomas & Vines, as well as the seemingly malleable chair of Olivier Gregoire.
Being in Maó Space, we have outstripped fads by making friends with time.
外立麵
項目處於一片由鋼結構棚頂搭建的舊街區，臨街卻陰暗。
ofD將原有幾乎密閉的空間改造為更通透的結構，盡可能多的裸露了空間裏的商品，同時讓室內的燈色與自然光有更多的互動。輕盈而不對稱的玻璃窗門與厚重的外立麵形成材質對比，暗示著時間的快慢交替。
Facade & Exterior
The project is located in an old neighborhood of steel structured ceiling and dark streets. ofD has the original enclosure space transformed into a much open and ventilated one while introducing the natural lights to interact with the interior lighting so as to expose the merchandise as much as possible. The neat and asymmetric glass windows and door are in good contrast to the heavy material of the exterior wall, which imply the pace of time.
店招
Maó空間與整個街區一樣隻在白天營業，店麵的標牌在黑夜裏也不發光。
Store Sign
In accordance with the entire block, Maó Space only operates during the day and the store sign would remains unlit at night.
Logo
Maó空間的視覺形象是一個標錯聲調位置的拚音，是主理人的昵稱。
Logo
The Maó Space’s logo is the wrongly marked intonation of its Pinyin spelling, which is the nickname of the owner-principal.
空間
像經過時光摧殘的大多廢墟一樣，進入Maó空間就能一覽所有。
ofD融入了批發市場常見的“雜亂”狀態，以滿足作為時尚銷售空間日常變化的需求。
從一樓到二層挑高空間，使用了統一的灰色調，讓整體的樸素感成為多元商品的背景。
Space
You get the overview of everything once have entered the space.
ofD has taken the “chaotic” atmosphere of the wholesale market into consideration as making this a trading space.
Grey is chosen as the tone throughout the loft space, its simplicity has played the appropriate background for the merchandise of great variety.
原創軟裝
在外庭空間，ofD用宣紙創作了天花與裝飾畫。以傳統紙張的質感表達更不同的時間感。ofD也用相同的色係精心調製玻璃鋼材料，製作了沉穩的收銀台及有圖騰意味的吊燈。這些原創元素都以謙遜的姿態，與Gufram的產品和諧相處。
Original FF & E (Furniture Fixture and Equipment)
In order to show the vestige of time, ofD has selected Xuan paper for the ceiling and decoration in the lobby, they have also customized the matching coloured fiber glass for the cashier and totemic chandelier. All the original but low keyed elements are well harmonized with the Gufram products.
∇ 宣紙天花細節 Xuan Paper Ceiling in Detail
走上內庭，ofD用重墨宣紙製成的手工屏風，將這裏分為商品展示區與休息洽談區。左區有ofD用鍍鋅板手工焊製成的哥特風格陳列櫃，與Olivier Gregoire的舊橄欖色家具共處；右區ofD配置了Glas Italia的玻璃沙發與茶⼏、Thomas & Vines的植絨鏡⼦、Catellani & Smith PostKrisi 50 – 51玻璃鋼吊燈。
The area of merchandise display and lounge are partitioned by a handmade heavy-inked screen. On the left, ofD has welded a Gothic styled cabinet by using galvanized sheets, which has perfectly set off the olive coloured furniture of Olivier Gregoire. On the other side on the right, ofD has placed the glass tea table and sofa of Glas Italia, Thomas & Vines’ mirror with the flocking frame and the fiberglass pendant lamp – PostKrisi 50-51 from Catellani & Smith.
把原空間裏的柱體結構處理成圓形地中海風格，與空間形成不同的視覺框架。
The original cylindrical structure has been transformed into Mediterranean column, which has offered a distinct visual framework within the space.
用工業時代的金屬材料與石膏斷柱製作了陳列架，不同的材質同樣在傳遞著不同的時間質感。
The displaying rack is made with metal that signifies the industrial age and fractured plaster, this combination of materials has symbolized the passage of time.
Olivier Gregoire的平麵扭曲家具，在灰調空間裏像杜尚的“泉”一樣，意味深長。
Just as Duchamp’s Fountain has connoted, to have the bent and curved furniture of Olivier Gregoire in this grey toned space has suggested much more than what they actually are.
在這個空間裏，ofD企圖讓所有的形態都去除尖銳的棱角。牆體的折角、旋轉的樓梯、無法使用的弧形鏡子、真實與裝飾性的柱子……希望以溫和的細節體驗呼應時間的古典氣質。圓形柱子成為整個空間的視覺線索，貫穿一樓與二層空間。旋轉樓梯的黑色線條、灰色調子的階梯，在厚重空間裏與Gufram的黑白沙發形成輕盈的對比。
In this area, ofD attempts to take out any sharp angles, including the corner of the walls, the spiral stairway, the impractical curved mirror, the decorative and actual pillars etc., they hope to bring out the sense of classical time through the gentle details. The column has been connecting the space of the two floors as a visual indication. The embedded black linear element on the grey toned spiral stairway has made a fine contrast with the black and white sofa set of Gufram.
玻璃鋼、金屬、舊石膏柱體再次融合。
Fiberglass, metal and plaster column have once again joined in the same room.
主理人被⻄班牙Oscar Tusquets的椅子線條所吸引，購置了椅子後卻發現沒有桌子可以搭配，ofD創作了一張國際象棋意味的黑色桌子。
The owner is attracted by the linear flow of Oscar Tusquets’ chair, but later realizes there’s no matching table after the purchase. Therefore ofD has made a black table that represents the chess to go with it.
桌子上陳列的是另一種緩慢燃燒著的小廢墟。
The melting candles on display are symbolizing the ruins of time.
ofD在有限的建築框架中，利用局促又無法去除的結構營造新的空間層次。
ofD has discovered another spatial dimension within this originally constrained and unmovable architectural structure.
2層空間與一樓是開放關係，宣紙天花與網格線將視線引向室外，獲得更深的視覺感受。
The second floor is an open space, and our sight would be outwardly led by the Xuan paper ceiling with grids that provides a visual depth.
∇ 手繪圖
∇ 爆炸分析圖
∇ 平麵圖
項目信息
項目名稱：Maó
項目地點：廣州市越秀區ARAapM
項目麵積：227 m²
完成時間：2020年7月
設計機構：今朝風日好（http://www.ofdsp.com）
設計總監：李俊鵬
設計團隊：梁昊、勞永傑、劉帥
項目攝影：YUUUUNSTUDIO
Project name: Maó Space
Address: ARAapM, Yuexiu District, Guangzhou
Area: 227 m²
Completion time: 2020.07
Design firm: One Fine Day Studio & Partners (http://www.ofdsp.com)
Design director: Jump Lee
Design team: Hao Liang, Yongjie Lao, Shuai Liu
Photography: YUUUUNSTUDIO
