全球設計風向感謝來自 萬社設計 的展廳項目案例分享：
Breaking Boundaries | 打破固有使用邊界：是椅子、桌子、牆、建築？
Breaking Boundaries | Chair, Desk, Wall or Architecture？
此次在深圳市室內建築設計行業協會的邀請下，萬社設計作為深圳這個城市的代表，接受了設計in灣區展廳的設計委托。
Entrusted by Shenzhen Institute of Interior Design, Various Associates conceived the pavilion for DESIGN IN BAY AREA Exhibition, as the representative of Shenzhen.
此次展廳聯合了粵港澳大灣區含香港、澳門等八大城市21位設計師聯合策展。設計方需要考慮深圳作為牽頭城市的特殊身份，同時還需兼顧不同城市設計協會自身的需求及個性。
DESIGN IN BAY AREA was co-organized by several design institutes from the Greater Bay Area, and was co-curated by 21 designers from 8 cities in the region. As conceiving the exhibition hall, Various Associates had to consider Shenzhen’s leading role in this event while also taking account of the demands and characters of all design institutes involved.
01 概念 Concept
回顧深圳，這座充斥著時代魅力的現代大都市，有賴於沿海這個得天獨厚的地理環境，海港貿易成為了深圳經濟結構的主體之一。與此同時，人才，正是觸發城市快速成長的重要基因之一，人才的聚集就像是浪潮一樣推動著城市的發展。
With favourable geographic conditions, Shenzhen has developed into a charming modern metropolis over the decades, and trade ports have become one of its economic pillars. Meanwhile, like ocean waves, talents are rapidly pushing the city forward.
“海洋，容納百川”，如深圳這個城市，擁有著源源不斷的生命力但異常的包容。萬社以此為創作源泉及線索將各城市的展覽包圍在一起，希望各個城市的文化能夠在這個平台上相互交流融合，同時也希望以此表達出設計的無邊界性。“海浪Wave”的故事線由此誕生。
The sea is inclusive as it admits hundreds of rivers, so is Shenzhen. It’s a quite inclusive and vigorous city. Various Associates took its character as the design inspiration and thread, which surrounds the exhibitions of the eight cities. The team hoped to enable cultural exchanges and fusion among the cities, and to express the infinities of design. That’s how the design concept and storyline “Wave” came into being.
∇ 圖源網絡 Concept (image from Internet)
02 雛型變形過程 Prototype generation
具象 Concrete image
∇ 圖源網絡 image from Internet
線性 Curves
填充 Deepening
如波浪一樣，層層疊疊，可自由組合高度
Like weaves, modular units can be freely stacked and combined at staggering heights
這個項目的設計初衷，萬社希望能夠通過可循環利用的建造方式以減少對資源及物資的浪費 。模塊化搭建無疑是最好的選擇。可通過對單體模塊的重複拚接，迅速完成場地的搭建及拆卸，同時便於運輸及收納。 而基於環保，材料上則希望摒棄沒有情感色彩的鋼筋水泥結構，沿用通過回收廢棄塑料或廢棄木料再加工而成的板材，從而達到循環再利用。
Various Associates adopted recycled materials and modular construction method to reduce waste. The modular units enabled rapid assembly and disassembly on the site, and were also easy for transportation and storage. The design team abandoned “cool” reinforced concrete structures, but chose panels made from waste plastic and wood instead, to realize recycle and reuse of materials.
03 廢棄塑料/廢棄木料再利用 Reuse of wasted plastic & wood
∇ 圖源網絡 image from Internet
04 是椅子、桌子、牆、建築？Chair, desk, wall or architecture?
除了概念及材料外，萬社希望打破固有使用邊界，展示模塊、空間、建造之間更豐富的多變性及可能性。在深化模塊的形式時，將模塊產品化功能化成為另一個萬社著手思考和設計的方向。聯想到家具製造業作為深圳另一張靚麗的城市名片，將模塊本身設計成家具在單個存在也有自己的價值，無疑使這個設計的組合更具有趣味性。
Various Associates intended to break the boundary of the structures, which can shift among modules, space and architecture, in order to show more variations and possibilities. As deepening the form, the team also emphasized the productization and functionality of modules. Moreover, considering that furniture manufacturing industry is another distinctive feature of Shenzhen, the designers turned each modular unit into a valuable piece of furniture, which can be combined in various playful manners.
“我們希望打破產品單一的功能限製。例如桌子這樣生活中一個簡單且常見的物件，也可以變成牆、空間、及建築，而不單一地局限於其本身固有的功能。我們希望可以向大眾開放及展示設計更多的趣味性及想象力，讓大眾更容易感受到設計的魅力所在。”萬社設計創始人如是說。
“We hope to break the singular function of products. For instance, desk is a simple and common object in our daily life, but it can also be turned into wall, space or architecture rather than being restricted to its inherent function. We want to show the public more fun and imagination, and allow them to easily perceive the charm of design.” Various Associates founder explained.
在設計模塊之間的結合方式時，設計團隊也參考了傳統榫卯結構及木家具結合的方式，再加以海浪的流線從而得出最終的單個的模塊形狀，取名為“浪花”。
As conceiving the modules, the design team referred to traditional mortise-and-tenon joints and the way that wooden furniture is assembled, and at the same time incorporated the flowing form of ocean waves. In this manner, they eventually figured out the shape of modular units, which were named “Wave”.
下圖為部分市麵上常用榫卯結構及木家具節點的展示
Common mortise and tenon joints & joints of wooden furniture
“浪花”的拚裝方式-使用榫卯結構的原理 Assembly of “weaves”
當“浪花”單個出現，可以是椅子、桌子、裝置……
Single wave can be a chair, desk, installation…
當“浪花”組合成“海浪”，可以是圍牆、結構、建築……
Waves can an enclosure wall, structure, architecture…
椅子 Chair
長桌 Desk
圍牆 Enclosure wall
小型pavillion Small pavilion
05 搭建 Assembly
06 開放日 Open day
萬社最後采取以環保、可持續及可量化的設計手法去打造空間的形狀及動線的方案，將產品、家具、展廳這三種元素巧妙地結合在一起，使得整個空間造型可隨著場地自身的需求及狀況靈活更改。
The designers adopted environment-friendly, sustainable and quantifiable design approaches to work out the spatial pattern and circulation solutions, while also time subtly integrating the elements of products, furniture and pavilion, thereby producing a flexible spatial form that can be adjusted on the site according to different demands.
07 拆卸 | 再利用 Disassembly & Reuse
在展覽結束後，本著減少臨時材料汙染、環保、及再利用的設計初衷，萬社設計委托舉辦方及撤展方將“浪花”原地拆卸後回收，而後運往由我們設計的一個學校項目裏，在新的地方延續自身的故事，實現了我們本身的用意以及目的。
Bearing in mind the intentions of pollution reduction, environment protection and material reuse, Various Associates entrusted the organizer and the party in charge of dismantling work to recycle the modules after the exhibition, and send them to the next destination，a school project they are working on.
此次設計“海浪”將作為一個案例用於藝術高校日常的藝術教學板塊“模塊搭建”裏，同時以裝置及桌椅的使用功能實踐著萬社設計的初衷。
Those “Waves” will be utilized to modular assembly in art teaching activities in Art high school and will be also turned into installations, useful tables and chairs.
項目信息
委托方：深圳市室內建築設計行業協會
地址：深圳國際會展中心
狀態：完成於2020.08
設計團隊：萬社設計
項目負責人：林倩怡
設計師：楊東子、李澤兵、林誌超
攝影師 記錄照片：李澤兵；落地照片：李永茂
Client：Shenzhen Institute of Interior Design
Location：Shenzhen World Exhibition & Convention Center
Status ：Completed, Aug 2020
Design team：Various Associates
Project leader：Qianyi Lin
Designer team：Dongzi Yang 、Zebing Li 、Zhichao Lin
Photographs ：Zebing Li ；Yongmao Li
