全球設計風向感謝來自 樸居設計研究室（PUJU） 的展廳項目案例分享：
層 岩 疊 影 Layered World
…在這裏，無數個節點同時隸屬於兩套係統
重疊、糾纏、相互交織在一起。
這必然導致透明性的空間組織，
標誌著空間的轉換……
——科林羅《透明性》
山 · 石 · 場 The Mountain. The Stone. The Field.
受業主委托，PUJU樸居設計研究室為其進口岩板品牌設計了一座300多平米的臨時展廳建築。
Commissioned by an Italian sintered stone brand, PUJU Design has designed a 320-square-metre temporary structure in Shanghai as its showroom.
岩板的原材料來自自然山石，展廳的設計則發想於石材的誕生地 – 采石場。在紀錄片“II Capo”中，世界聞名的魚肚白大理石的產地– 意大利卡拉拉采石場 – 壯美如畫，巨大的山體被縱橫切割，石材的粉末漫天彌漫，整個場地潔白如玉，好像山地裏一個巨大的舞台。另外一邊，位於普羅旺斯的萊姆石采石場被Chanel選為去年新品發布的秀場。當身著豔麗服裝的模特行走在采石場之中，被切割的山石成為了極具美感的抽象背景，時尚、自然、人工在這裏交彙。
Sintered stone is manufactured using natural ingredient and with the technology which mimic the processes that form natural stones, which inspired us from the beginning of design. We started to look at the birth place of natural stones – the quarry. In the documentary “II Capo”, we were shocked by the beauty of the Carrara marble quarry in central Italy – the huge mountains cut with geometric shapes, the white powders of stones dancing in the air. It almost looks like a stage set. Meanwhile, the former limestone quarry in Province were used by Chanel as the runway to showcase their new collection. As the models sashayed in graphical dresses against the picturesque stony background, the idea of fashion is sparkling with the marriage between nature and man-made realities.
∇ （Carrara Quarry, Daniel Woeller. 2016）
∇ （Chanel, cruise 2022 Photo:Acielle/StyleDuMonde）
采石場擁有一種獨特的美學氣質。山體切割的幾何性讓我聯想到馬列維奇的至上主義繪畫。若把他畫作中的彩色方塊想象成被切割的石塊，這些石塊或漂浮，或重疊、或散落，平麵的畫布似乎一下子擁有了三維的指向。他富有感染力的情緒，便有了化為三維空間的可能。
The quarry certainly enquires a unique aesthetics. The geometrical shapes on the mountains remind me of the suprematism works by Kazimir Malevich. If the colourful patches in his paintings were those stones in the quarry, floating, scattering, and intersecting with each other, the 2-dimensional painting seems to embody 3-dimensional possibilities. The passions and emotions are able to motivate a 3-dimensional creation.
∇ （Left: Composition, Kasmir Malevich. 1916 Right: Conceptual Drawing of Laminam Showroom, PUJU. 2021）
在我們的設想中，“山·石·場”，借由一種至上主義的抽象和激情，成為形式構建的最初動機。將功能需求化作一係列抽象的巨石，在場地之中建立一個臨時的“山·石·場”，既回應了展陳產品的基因，也融入了我們一貫探索堅持的極簡抽象美學。
The mountain, the stone and the quarry field, with the shaping power of suprematic aesthetic, provided the initial motives for the design of the showroom. We intended to create a series of abstract stones, which is almost like a temporary corner of the stone quarry. It responds to the DNA of the sintered stone, as well as the minimal and abstract aesthetics that we have been exploring.
居 於 山 石 Living in the Stones
美學之外看山石，在其中居住也是一種橫跨不同文化的人類居住的原始模型。Ensemble Studio借由被廢棄的采石場，以床墊，窗簾，桌子等最小的介質介入，改造成了一處實驗性的居所。人們從現代都市的玻璃盒子裏出來，重新回到山石之中，文明的曆史在這裏反轉，建築也回到了原點。
Beyond the aesthetics, living-in-the-stones is a human living model which has existed since thousands of years ago and across different cultures. Ensemble Studio has renovated a former quarry to be an experimental living place, with a minimal intervention of furniture like curtains, mattress, etc. Human being are getting out of the glass and concrete boxes in the cities and getting back to the mountains and stones. The civilization process is reverted in the project and the architecture goes back to its purest form.
∇ （Ca`n Terra, Ensemble Studio. 2020）
在金秋野的閱讀中，阿道夫·路斯的Raumplan設計手法和中國園林隔空呼應，成為一種“室內造山”的方式。Ensemble Studio的項目雖然位於西班牙Menorca島，在我看來卻與傳統園林中構建石頭和人的關係有異曲同工之妙。這些石頭來自自然，卻服從於人的身體尺度，可漫遊，可對望，可臥可倚，咫尺山林，寄托著人對於更大的天地自然的想象。我們將這種解讀帶入展廳的設計之中，意在創造一個可居可遊的石群。
In the essay by Jing Qiuye, Raumplan, as coined by Aldof Loos, echoed with the method of Chinese Garden, becoming a way to create “mountains in the house”. In my reading of the project by Ensemble Studio, which locates in Menorca Island, shares the similar approaches with Chinese Gardens in deliberately creating rich possibilities of human being interacting with stones. These stones, cut to the scale of human body, become places to wander within, looking through, lying on and leaning upon. It embodies the imagination of a bigger world epitomized within a small house. We brought these reading to the design of the showroom and try to create stones that could be lived and wandered within.
∇ （“層岩疊影”概念軸測圖， PUJU樸居設計研究室. 2021）
∇ （“層岩疊影”概念模型， PUJU樸居設計研究室. 2021）
層 岩 疊 影 Layered. Shadowed
寄托著抽象山石的美學和“居於山石”的人文想象， 設計的完成仍需要嚴謹的結構和合理的布局根據功能。
場地被劃分為4個展廳和一個前院四個展廳對應四組展示內容，以四塊白色巨石定義。
With the idea of abstract stones and living-in-stones, the proposal develops with functional layout and structural precision. The site was divided as four showrooms and one front yard. The four rooms were defined with four huge white “stones”, which respectively exhibits four collections of products.
白色巨石有的落地，有的被帶有色彩的巨石支撐，並且相互重疊，形成構成感強烈的立麵和空間關係。
One of the white stones were grounded, white the others elevated by colorful stones. They intersecting with each other, creating a picturesque elevational composition.
入口以水池和小尺度的石頭形成景觀，呼應整體的空間概念並形成空間的序幕。
The entrance welcomed visitors with a square water pond and stones, which echoes with the overall concept in smaller scale.
進入內部後，空間流動而連續。不同的房間，結合屋頂和牆麵的孔洞，形成彼此的對景，從不同角度形成穿透和對望關係。
The internal spaces are free and interconnected. Different showrooms were visually linked through cracks and holes.
由於形體交疊和穿透產生豐富的內部空間，而彩色玻璃和牆麵則充當著空間的標識物並豐富空間的體驗。
The internal space, because of the intersection and overlaying of white massing forms, reached a quality of “phenomenal transparency” as coined by Colin Rowe, whereas the colorful wall and glasses served as the marks for different spaces.
定製岩板燈具在牆麵氤氳著微光，夾在超白玻璃、岩板、白色肌理漆牆麵之間，在微觀尺度上創造出“層岩疊影”的美學。
Customized sintered stone lights shed light upon the wall. The light were emitted through the gaps between glasses, sinter stone slabs and the white wall, creating the layered and shadowed imagery in micro scale.
“層岩疊影” 的設計緣起於自然山石和抽象主義的美學嫁接，寄托著居於山石的詩意想象。由於實際條件的限製，這次展廳隻能在一層平麵上實現，在垂直空間層麵的穿插留下更多未來探索的可能。
“Layered World” started with the marriage between natural stones and abstract expressionism, developed through the poetic visions of living-in-stone. Because of the practical reasons, the showrooms could only realize the concept in a single floor, leaving the vertical applications of the concept for future explorations.
∇ 平麵圖
項目名稱：層岩疊影
設計事務所: 樸居設計研究室（PUJU）
項目地址：上海新國際博覽中心
建築麵積：320㎡
主創設計：遙千 張潤澤Renzo
設計團隊：李詩楠Lexi Ruby 王佶 夏清雅
設計時間：2021年2月 – 6月
攝影：Guo Jing
文字／翻譯：Renzo
工作室網站: www.pujudesign.com
郵箱：renzo@pujudesign.com
Project Name: Layered World
Design: PUJU
Location: Shanghai
Area: 320m2
Principal Designers: Yao Qian, Renzo
Design Team: Lexi， Ruby Zhou，Wang Ji, Jungers Xia
Duration: Feb.-Jun. 2021
Photographer: Guo Jing
Writer／Translator: Renzo
Email: renzo@pujudesign.com
Web：www.pujudesign.com
