DNA邸內設計 | 245㎡,杭州 Lake Residence 湖畔屋-設計風向

該項目是位於杭州的一個湖邊私人住宅，原本六室兩廳的分配不符合屋主二人世界的生活需求，我們在設計方案中拆除了北麵兩間臥室，重新規劃了客廳、書房、餐廳的空間關係，使其更符合大平層的空間視野。我們將天然材質結合留白空間，以及獨特的軟裝搭配，嚐試了和以往不同別具一格的風格。

The project is a lakeside private residence located in Hangzhou. The original structure allocation did not meet the owner’s requirements. In the design scheme, we removed the two bedrooms on the north side, and rearranged the spatial relationship between the living room, study and dining room to make it more in line with the spatial vision of the large flat floor. We combine natural materials with white space, as well as unique soft outfit collocation, trying to have a unique style with the past.

玄關作為進入客廳的緩衝區域，設計了充足的收納功能，並且采用了更易打理的地麵材質以及羅馬柱裝飾構件來區分界限。

Porch designed enough receiving space as the buffer area that enters the living room, and uses easy-to-clean floor materials and Roman column decorative elements to distinguish the boundaries.

客廳改造之後擁有8.6米的大間距，我們劃分了以壁爐為中心的圍爐區和以電視為中心的影視區兩個區域，重新組合了客廳家具的擺放。Daybed取代了傳統的沙發功能，它更能表現家具的多功能和自由的空間關係。

After the renovation, the living room has a large spacing of 8.6 meters. We divided the furnace area and the film area, and recombined the placement of the living room furniture. Daybed replaces the traditional sofa, it can more express the multi-function and free spatial relationship of furniture.

這把來自1943年設計的Pernilla chair，其設計師Bruno Mathsson非常善於研究人體工學，使得這把休閑椅具有極佳的舒適坐感。我們將它擺放在此，享受壁爐的暖意同時也能觀賞窗外的湖景。或許在一個愜意的午後，坐上這把椅子幾秒鍾便能讓自己的思緒放飛遠去。

The Pernilla chair designed by Bruno Mathsson in 1943, and the designer is good at ergonomics, which makes this leisure chair with excellent comfortable sitting feeling. The reason we put the chairs here is to enjoy the warmth of the fireplace and also to look out of the window view. Perhaps sitting in this chair for a few seconds on a pleasant afternoon will let your thoughts drift away.

客廳處於整個住宅的彙聚點，連接了玄關、餐廳、書房、公衛。在設計中，我們想要突出鬆弛和寬容的居住氛圍，大多數選用了天然且具有親和力的材質，大麵積的留白為軟裝的多樣性提供了更好的表現空間。

The living room is at the convergence point of the whole room, connecting the porch, dining room, study, public toilet. In the design, we want to highlight the relaxation and tolerance of the living atmosphere, most of the selection of natural and affinity materials, a large area of white space for the diversity of soft decoration to provide a better performance space.

美國藝術家Christopher Wool最有代表性的字母版畫，在空間裏有非常高的辨識度。

American artist Christopher Wool’s iconic alphabet prints are highly recognizable in space.

我們把原本狹長的主過道拓寬至1.8米，並以玻璃代替書房的隔牆引入室外采光，搭配特別定製的1.5米超大人字地板，鋪設出整齊有序的導向紋理。

We widened the original corridor to 1.8 meters, and replaced the partition wall of the study with glass to introduce outdoor lighting, combined with the customized 1.5 meters super-large herringbone floor, laying orderly guiding texture.

通過兩個不同尺度的拱形門洞作為餐廳空間的界限，也頗具趣味性。

It is also interesting to use the two arched doors of different scales as the boundaries of the dining space.

外界環境色彩對室內空間的映射是最好的天然“濾鏡”。

The best natural “filter” is the mapping of the colors of the external environment to the interior space.

廚房的牆麵紋理我們選用了大膽的搭配風格，黑灰色隨機的紋理似乎想要打破廚房無聊的工作氛圍。

We chose a bold matching style for the wall texture of the kitchen. The random texture of black and gray seems to break the boring working atmosphere of the kitchen.

臥室的主要功能是休息，相比下材質和色彩則更加克製，我們使用了柚木色作為主要元素，能讓房間氛圍更顯沉穩和理性。

The main function of the bedroom is rest, and the use of materials and colors is more restrained. We used teak as the main element to make the room atmosphere more calm and rational.

床頭的一側借用了部分空間做了內凹處理，用於放置落地掛衣架，來存放主人的外套大衣等。

Part of the space beside the bed is concave to place a hanger to store coats.

獨立的梳妝間是為女主人設立的專屬空間。

Dressing is the exclusive space that establishes for hostess.

次臥的當下還沒有固定的使用者，我們設計中盡可能的去掉年齡、性別、風格等因素，希望通過家具和床品等軟裝變換來滿足不同人的使用。

There are no fixed users in the second bedroom. We remove age, gender, style and other factors in the design, hoping to meet the needs of different people through the transformation of soft decoration such as furniture and bedding.