ATMOSPHERE氣象建築 | 成都hug x UMA WANG全新概念店-設計風向

回溯 Retrace

空間略呈方形，有城牆環繞，四麵均設城門，城內縱橫交錯，布局猶如棋盤，此為龐貝。

因維蘇威而毀滅，因毀滅而得到永恒。

The space is slightly square, surrounded by walls, with gates on all sides, crisscrossing the city in a chessboard-like layout. This is Pompeii.

Which was destroyed because of Vesuvius, and got eternal for the same reason.

如果說Pompeii是UMA WANG通過設計對曆史的解構與還原，那麼這個空間則是通過所有素材去試圖回溯這一失落的文明。

If Pompeii is UMA WANG’s deconstruction and restoration of history through design, then this space tries to trace back this lost civilization through all the materials.

是致敬，也是回溯曆史後的新生。

It’s a tribute, but also a rebirth after looking back on history.

隱喻 Metaphor

肅穆而凝練，古樸而神秘。

2000年後火山灰之下的斑駁與曆史厚重感，通過空間中環形陣列感的地麵磚塊、內壁材質、木質元素的運用得以傳遞。

Solemn and concise, primitive and mysterious.

The sense of history beneath the ash after 2000 years are conveyed through the annular distribution of floor bricks, interior materials and wood elements in the space.

在此肅穆之中，頂光自上穿透室內，落點於地麵正中的綠植之上，以此隱喻廢墟之後希望降臨。

In this solemnness, the top light penetrates the room from above and falls on the green plants in the middle of the ground, as a metaphor for the arrival of hope after the ruins.

教堂、神殿，兩千年前充滿敬畏感的古文明氛圍，通過凝練而克製的組合，在此得以再現。

Churches, shrines, and the awe-inspiring atmosphere of ancient civilization two thousand years ago are recreated here in a concise and restrained combination.

新生 Rebirth

Pompeii係列出現了UMA作品中少有的亮色，以此還原火山灰墜落時的光澤，同時也象征著新生。

The Pompeii series features Uma’s rare fluorescent colors to restore the luster of falling ash and to symbolize new life.

空間之於此概念，亦在呈現之中給予回望。在整體古樸氛圍的營造之下，穿過環形空間深入其裏，在試衣簾的掩映下，紅色色澤依稀可見。

The concept of space is also reflected in the presentation. In the overall simplicity of the atmosphere, through the annular space deep into it, in the fitting room under the shade of curtain, red color can be seen.

恰如火山爆發時，猩紅而炙熱的瞬間。

以此呼應該係列中UMA的喻比，同時色彩的對撞亦為空間帶來更多層次。

Like the eruption of a volcano with a red and hot moment.

This call should be the metaphor of UMA in the series, and the collision of colors also brings more layers to the space.

沿旋轉樓梯拾級而上，光陰由暗轉明，時空隨之迭代變幻。

Ascend the steps along the rotating staircase, the light turns from dark to bright, and space changes accordingly.

蝶變 Epiphqny

一改樓下的古樸神秘氛圍，台階之上，以銀白兩色主導的空間，豁然拉開了視野的邊界。

Different from the primitive and mysterious atmosphere downstairs, on the steps, the space dominated by silver and white suddenly opened the boundary of vision.

時空概念在此擁有更為多維的表達，感官在此碰撞、交彙，賦予空間獨特的語言體係。

The concept of time and space has more multidimensional expression here, where the senses collide and intersect, giving the space a unique language system.

圓形與直線的不鏽鋼軌道展示架為視覺動線，有序的串聯起整個空間。

The circular and linear stainless steel rail display frame is a visual moving line, which connects the whole space in an orderly way.

先鋒 Pioneer

hug自誕生之初便肩負著甄選全球獨立設計師作品的使命——將不同優質設計品牌整合其中，乃至hug自有的Merci Beauty。

Since hug’s inception, it has been its mission to select the works of independent designers from around the world — to integrate different quality design brands, including Merci Beauty of hug’s own.

曲麵元素的應用在一定程度上中和了銀色所帶來的冰冷，獨屬於hug的品牌藍穿插其中，極具未來與先鋒感。

The application of curved surface elements to a certain extent neutralized the coldness brought by silver, and hug brand blue was interlaced with it, showing a sense of future and pioneer.

前衛而中性，包容而並蓄。

既有西方流行文化中的現代感，也貫穿著來自東方的當代意識。

Avant-garde and neutral, inclusive and storage.

Not only the modern sense in western pop culture, but also the contemporary consciousness from the east.

全鋪無影燈膜天花的運用則在最大程度上褪去屬於外界的噪音，讓空間聚焦服飾本身，極大程度上延長了空間的使用周期。

The use of shadowless lamp film ceiling fades the noise belonging to the outside world to the greatest extent, so that the space focuses on the clothing itself, which greatly extends the use cycle of the space.