大平層，克製的空間美學
A penthouse features a restrained spatial aesthetic
理性 / Rationality
20世紀，包豪斯主張的理性美學也在一定程度上影響我們，極簡的功能主義，並柔化功能主義的機械性，強調人的感官與體驗為空間主體。在這裏我們探討的冷靜，是居者，是空間本身，是我們對設計的態度，更是艾克建築對城市形成的一種思考，一個理性的行為。
Rational aesthetics, advocated by the Bauhaus in the 20th century, has influenced AD ARCHITECTURE to some extent. Minimalist functionality, which makes functionalism less mechanical, emphasizes people’s senses and experiences as the protagonist in a space. A state of calmness AD ARCHITECTURE explored in this project is not only for the space but also for the dweller, which expresses the practice’s attitude towards design and reflection on the city’s evolution.
∇ 瓦爾特·格羅佩斯（Walter Gropius） 現代主義建築學派的倡導人和奠基人之一
項目背景 / Background
C宅是一個熱愛汽車文化的海歸男主的私人空間。該公寓位於曆史悠久的潮州，坐擁一線江景的頂層公寓，擁有俯瞰汕頭、潮州、揭陽的270度自然景觀，簡單的居住結構與得天獨厚的自然條件給項目的設計工作開展一個具備了自由的基礎。
This penthouse is the home of an overseas returnee who is passionate about car culture. It is located in Chaozhou, a city with a long history. Sitting on the top of a tall building, the apartment enjoys a full view of the river and a 270-degree view of natural landscapes in Shantou, Chaozhou and Jieyang. The simple residential structure and favorable natural resources gave the design team much freedom to conceive the home.
非定義的定義——冰與火 / Undefined space — Ice & Fire
一個摩托車騎行愛好者，一個熱衷於汽車賽道激情的熱血青年，內心充滿火的氣息，又顯得格外冷靜。我們希望空間是自私的，傳達一種自我的性格。在城市上空營造一個自然與和諧放鬆的居住環境，這是對豪宅的重新審判，空間中人是主體，特別是在家居空間。我們並不想做一個所有人都喜歡的作品，但是它是符合使用者內心的產品，存在即合理。靜謐的生活場所，平靜、自然、陽光，一個真正屬於自己的生活空間。
In addition to motorcycling, the young owner is also keen on car racing. He is passionate inside, and looks calm on the outside. AD ARCHITECTURE hoped to design a dwelling that could represent the occupant’s unique personality. For this, the design team conceived a natural, harmonious and relaxing living environment above the city, which redefines luxurious apartments. People are the protagonist in space, especially in a living space. The designers didn’t try to create a space that everybody likes, but one that suits the user’s taste. It’s a tranquil living environment with quietness, nature and Sunshine. A living space truly belongs to the dweller himself.
∇ 分析圖
開放與克製 / Openness & Restraint
開放的空間布局，極簡克製美學，空間大麵積留白，顯現空間的寧靜與包容性。豐富的白色階之間相互克製，讓居者與汽車的生活氣息充斥著空間的公共部分，克製出一種自我的力量。克製自己的欲望，克製自己的情緒，生活豐富而不沉迷，感情充沛而不肆意，內心純淨，生活極簡。
Open layout, coupled with minimalist restrained aesthetics and large areas of blank surfaces, reveals a sense of serenity and inclusiveness. White color shades produce a background for highlighting the owner and his hobbies, and also create a calming home that evokes a restrained state of mind, sensitive yet pure emotions and a minimalist lifestyle, which cater to the personality of the occupant.
自然與體驗 / Natural Experience
材料係統剛柔，整體以米白色的藝術漆與不鏽鋼搭配小麵積的木質感，幹淨自然的同時傳達了材料本身一點點溫度，地麵純色大規格岩板，自然平和。臥室的實木質感的木地板，讓整體的睡眠空間更加溫暖細膩。這是一種極度舒適的克製。
Dominant white coatings, stainless steel and wooden veneers embody the combination of hardness and softness, generate a clean and natural ambience, while also showing the materials’ warmth. The large solid-colored sintered stone floorings in open areas give a natural and peaceful feeling, while wooden floorboards in the bedrooms create a warm and delicate sleep environment. This kind of restrained design language results in a comfortable space.
自由平麵 / Free Plane
在空間布局上，在各個功能空間之間通過灰空間來串聯，利用原來大陽台鋼結構空間，將家人交流的中心結合景觀陽台，打造一個自然的舒適用餐空間。
Based on the spatial pattern, functional areas are connected by transitional spaces. Taking advantage of the existing steel structure space at the large balcony, the design team integrated family communication center with landscape balcony to form a natural and comfortable dining space.
入口灰空間鏈接了客廳與餐廳，8米的尺度有效的增加了體驗的品質感，牆地一體的水磨石強調了空間的區域感，讓各個空間自由的狀態下顯得非常的精確。這是進入這個領域的第一感，當我們打開門的瞬間，我們開始感受到這種空間的氣息，牆麵藝術品成為了引導人的方向。第二中心我們可以看到空間的中心玻璃盒中的藝術潮玩——大型的反浩克裝甲。這個玻璃盒是設計師為主人提供的一個屬於他自己，放他喜歡的物品的地方，具有強烈展示性與業主自我的宣誓。
The 8-meter-long transitional space at the entrance not only links living room with dining room, but also effectively enhances the experience. Terrazzo extending from floor to wall strengthens a sense of boundary, making distinct areas clear. Upon opening the door, the occupant can immediately experience a free spatial ambience. Artworks on the wall help guide the circulation route. In the center, there’s an artistic and trendy toy inside a glass box — a huge Hulkbuster armor. This glass box allows the owner to place his favorite objects, generating a strong display effect and voicing his personality as well.
沙發區與開放式書房、展示櫃、水吧、賽車模擬器、茶吧，構成了開放的空間邏輯，通過玻璃盒子，地麵高差來區分，功能之間沒有絕對的分割，強調自由輕鬆的流動空間，讓體驗感產生互動，讓各個功能區之間的人產生更多的互動。
Sofa area, together with open study, display cabinet, bar counter, car racing simulator and tea bar, forms an open spatial realm. Functional areas are distinguished by glass boxes and the floor’s height difference, without absolute division. The design aims to create a free and relaxing flowing space to enhance interaction in between different functional areas.
臥室空間中的休息區、更衣區、洗漱區之間的關係處於半開放狀態，再一次強調開放自由的居住體驗。
The semi-open relationship among resting area, dressing area and washing area in the bedroom strengthens an open and free living experience.
模糊性 / Ambiguity
總設計師謝培河認為，居住環境不止於居住，而辦公環境也並非隻限於辦公，設計不一定要很強調這個屬性。特別是在當下疫情使我們的辦公居家生活混合的常態下，空間更沒有既定的界限，也不需要所謂的風格，而我們更應該是探討它未來的可能性，這是為城市的形成中的未來進行努力，我們想這樣的過程並不是結果，但是這個行為是必然的。
Chief designer Xie Peihe believes that the design of residence and office doesn’t necessarily have to be confined to their inherent attributes, especially when working from home becomes a new normal in the post-pandemic era. In such a context, different space typologies tend to have no definite boundary and hence shouldn’t be restricted to certain design styles. He thinks that designers should never stopping exploring more future possibilities of space and contribute to forging the future of cities.
∇ 解析圖
∇ 平麵圖
項目信息
項目名稱：潮州大平層公寓
設計機構：AD ARCHITECTURE∣艾克建築設計
總設計師：謝培河
設計團隊：艾克建築
項目地點：廣東潮州
建築麵積：400 m2
主要材料：手工塗料、岩板、木地板、霧化不鏽鋼
設計時間：2021年7月
竣工時間：2022年4月
項目攝影：歐陽雲
視頻剪輯：艾克建築
Project name: Penthouse in Chaozhou
Design firm: AD ARCHITECTURE
Chief designer: Xie Peihe
Design team: AD ARCHITECTURE
Location: Chaozhou, Guangdong Province
Area: 400 square meters
Main materials: handmade paint, sintered stone, wooden flooring, stainless steel
Start time: July 2021
Completion time: April 2022
Photographer: Ouyang Yun
Video editing: AD ARCHITECTURE
