OFT設計 | 深圳龍崗萬科廣場新天影院-設計風向

CINESKY太空派對：販賣限量浪漫

CINESKY Space Party: Selling Limited Romance

劉慈欣在《三體》中，講述了地球人類文明和三體文明的信息交流、生死搏殺及兩個文明在宇宙中的興衰曆程。諾蘭在《星際穿越》裏，曆史性地把“蟲洞”理論展現在好萊塢銀幕上，用第五維空間、蟲洞旅行、星際航行刷新人類的宇宙觀。那麼，如果把電影中的超現實太空場景搬到電影院，又會是怎樣的空間敘事?

2021年，OFT設計x萬科新天影院在深圳龍崗萬科廣場，創造了一個反重力太空影院，故事從一個迷航宇航員，一段太空之旅，一個未知星球開始……

In The Three-body Problem, Cixin Liu tells the story of information exchange, life and death struggle between human civilization on Earth and three-body civilization and the rise and fall of the two civilizations in the universe.In Interstellar, Christopher Nolan historically presented the “wormhole” theory on the Hollywood screen, refreshing human’s view of the universe with the fifth dimension, traveling through wormholes and interstellar voyage.So, if the surreal space scenes in the movie are brought to the cinema, what kind of spatial narrative will it be?

In 2021, Oft Interiors x Vanke CINE SKY Cinema created an anti-gravity space cinema in Vanke Plaza, Longgang, Shenzhen. The story starts with a lost astronaut, a space journey and an unknown planet ……

人類向往太空，把星塵當作宇宙的心跳。一直以來，我們從小說、電影、從天文館，從科學殉道者身上認知宇宙。

在這一語境中，OFT以全新想象創造未知星球，設計靈感來自科學家發現宙中所存在“紅移現象”，即遠距離星球射向地球的光以紅光為多,設計則還原閃爍於銀河係中的幽暗紅光。

Mankind yearns for space and treats stardust as the heartbeat of the universe. We have always known the universe from novels, movies, from planetariums, and from scientific martyrs.

In this context, OFT creates an unknown planet with a new imagination. The design is inspired by scientists’ discovery of the “redshift phenomenon” in the universe, which is, the light from distant planets to Earth is more red light. The design is to revive the dark red light shimmering in the galaxy.

設計動線則與敘事邏輯一脈相承，通過構建「宇宙大爆炸」、「星際穿越」、「未知星球——索拉裏斯星」三大空間場景，完成對時間、空間、生命等共識性問題的思考，邀請觀眾進入宇宙夢境。

Oft Interiors creates a virtual galaxy with a new imagination, takes design circulation as the logic of narrative to build three scenes of “Big Bang”, “Interstellar” and “Unknown Planet – Solaris”, to complete the thinking of consensus issues such as time, space and life, and to invite the audience to enter the cosmic dreamland.

大堂所講述的就是關於「宇宙大爆炸」的故事，「宇宙大爆炸」是時間、空間的開始，也是光、引力、元素的開始，這條名為“誕生”的隱藏故事線與影院大堂的“開端”功能暗自重合。

The lobby tells the story of the “Big Bang”, which is the beginning of time and space, as well as the beginning of light, gravity, and the elements, a hidden story line called “birth” that secretly coincides with the “beginning” function of the theater lobby.

設計師利用原始建築的中空結構，通過不鏽鋼等硬性材料，以環形作為“星球”造型裝置，這些固定裝置看似隨意實則有序地漂浮在蒼穹之間，就像行星在遵循著宇宙的引力法則。

Using the hollow structure of the original building, the designer uses rings as “planet” shaped devices through stainless steel and other hard materials. These fixed devices seem to float randomly but in an orderly manner between the sky, just like planets following the gravitational laws of the universe.

巨大的環形與大量垂吊裝置創造出一種空靈的漂浮感，這種漂浮感像是置身於無窮無界的宇宙中，讓我們可以隻憑自由意誌與喜好，肆意觸發各種奇特的波長，與自己、與不明物種進行對話。

The huge ring shape and a large number of dangling devices create an ethereal floating feeling, which is like being in an infinite universe, allowing us to trigger various strange wavelengths with free will and preference, and to have a dialogue with ourselves and unknown species.

一麵可以彎曲夢境的鏡麵，則映射出無盡的黑暗，正如劉慈欣在《三體》裏寫道，宇宙也曾光明過，創世大爆炸後不久，一切物質都以光的形式存在，後來宇宙變成了燃燒後的灰燼，才在黑暗中沉澱出重元素並形成了行星和生命。所以，黑暗是生命和文明之母。

A mirror that can bend the dreamworld maps out the endless darkness. As Cixin Liu wrote in The Three-body Problem, the universe was once bright. Shortly after the Big Bang of creation, all matter existed in the form of light, and then the universe turned into burned ashes before the heavy elements were precipitated in the darkness and formed planets and life. Therefore, darkness is the mother of life and civilization.

導視標識靈感是一個凹陷的月球表麵，靈感來自平克·弗洛伊德（Pink Floyd）專輯《月之暗麵》（《The Dark Side of The Moon》），設計師用可以隱藏的暗麵，完成這場讓人分不清真假虛實的視覺遊戲。

The signage is a sunken surface of the moon, inspired by Pink Floyd’s album： The Dark Side of the Moon. The designer uses the dark side that can be hidden to complete this visual game that makes it hard to distinguish the real from the fake.

隨著人類對太空的探索，宇航員也因此不斷進行星際穿越。

With the human exploration of space, astronauts are therefore constantly doing interstellar travel.

在步入二樓後，這段圍繞天體運動的“環形公路”則試圖在回應這個哲學問題，我們該去向何處？

After entering the second floor, this “ring road” around the movement of the heavenly bodies tries to respond to the philosophical question: Where should we go from here?

而此時，我們在太空航行時所觀察到的宇宙，像一個夢幻與現實的聚合體，在不同的角度與光影中，產生不斷變化的視覺效果，在不經意的某個瞬間，讓觀眾忘卻日常，完成一場立體而奇妙的審美體驗。

At this time, the universe we observe while sailing in space is like a polymer of dream and reality, producing ever-changing visual effects in different angles and light and shadow, making the audience forget their daily life and completing a three-dimensional and wonderful aesthetic experience in an unconscious moment.

從銀河係到太陽係再至其他未知星球，設計團隊以最樸素的材料，展現出最複雜的宇宙回聲。

From the Milky Way to the solar system and other unknown planets, the design team uses the simplest materials to show the most complex echoes of the universe.

在VIP影廳的形式上對人與空間關係進行探討，點睛之筆正是空間之間的模糊邊界，這也是宇宙的混沌形態。

Exploring the relationship between people and space in the form of a VIP cinema hall, the punchline is the blurred border between spaces, which is also the chaotic form of the universe.

當我們在太空航行中，終於抵達未知星球——索拉裏斯星，這大概是人類最孤獨的時刻。

When we finally reached the unknown planet, Solaris, it was probably the loneliest moment for mankind during the space voyage.

因為這是關於未來的故事，進入到影廳的觀眾會被一種類似宇宙空間感包圍，觀眾可以在牆麵上觀測行星的移動，當文明的流星劃過，宇宙記住了他們的光芒，從而迸發出一種熾熱、感性而純真的能量。

Because this is a story about the future, the audience entering the theater will be surrounded by a sense similar to the space of universe, where the audience can observe the movement of the planets on the walls, as the meteors of civilization pass by. The universe remembers their light, thus bursting with a fiery, sensual and innocent energy.

未知的天體與行星貫穿了整個影院空間，從故事開端到結局。讓觀眾透過觀察多維角度下的麵貌差異，找到宇宙內在和諧的自然節奏，獲得獨一無二的多層次觀影體驗。

Unknown celestial bodies and planets run through the entire cinema space, from the beginning to the end of the story. By observing the differences between the faces of multi-dimensional perspectives, the audience can find the natural rhythm of the inner harmony of the universe and gain a unique multi-level viewing experience.

探索、發現、構建，是人類的本能。在CINE SKY新天影院中，我們尋求共鳴，尋求關於太空，關於生命的體驗。

OFT用三個場景展示出一條清晰的故事線，將空間，故事，場景完美結合，把情感與本能投射在空間中，出色地完成了新天影院的場景命題，寫下這部超現實太空史詩。當身處太空，回望人類的渺小與偉大，正是因為好奇心與熱愛，才讓我們無法停止探索另一時空的腳步，直到生命輪回直到星塵被逐一捕獲。

It is human instinct to explore, to discover, and to build. In CINE SKY Cinema, we seek empathy and experiences about space and life.

Oft Interiors uses three scenes to show a clear story line, perfectly combining space, story, and scene, projecting emotions and instincts in space, brilliantly completing the scene proposition of CINE SKY Cinema, and writing this surreal space epic. When in space, looking back at the smallness and greatness of human beings, it is the curiosity and love that make us unable to stop exploring another space-time until the stardust is captured one by one.

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