DCDSAA澱川建築事務所與“雲間嘻穀”品牌合作，將坐落於中國上海雲間糧倉西22棟曆史文化老建築改造為全新的“嘻穀藝術館”空間；項目由DCDSAA澱川建築事務所操刀設計，基於場地環境及當代藝術的屬性，摒除原始建築多餘的形體，以恰當的分寸，極簡的手法，再造出通透性及關聯的幾何形態，讓建築與室內融合在一起。
DCDSAA Architecture Office cooperated with the brand “Valley of the Clouds” to transform 22 old historical and cultural buildings located in the west of the granary of the Clouds in Shanghai, China into a brand-new space of “Valley of the Clouds Art Museum”; The project was designed by DCDSAA Architecture Office. Based on the site environment and the attributes of contemporary art, the redundant forms of the original buildings were eliminated, and the permeability and related geometric shapes were recreated with proper discretion and minimalist methods, so that the buildings and interiors could be integrated together.
∇ 改造前原外觀
∇ 改造前原內部
這間上世紀五十年代至九十年代的糧食倉庫老建築，總體園區由59棟老建築組成，以前用作糧食倉儲、工廠車間、穀倉等，經過全新規劃升級為雲間糧食文創園；該建築的概念設計很快就被確定，通過大規模翻新將其改造成了當地文化地標性藝術展館，從而使其重複生機。
This old grain warehouse building from 1950s to 1990s, the overall park consists of 59 old buildings, which were previously used for grain storage, factory workshop, barn, etc., and were upgraded to Yunjian Grain Creative Park through new planning; The conceptual design of the building was quickly determined, and it was transformed into a landmark art exhibition hall of local culture through large-scale renovation, thus making it live again.
從主入口步入展館，煥然一新的藝術場景；空間照明設計發揮了重要作用，營造出動感的視覺效果，吸引人們深入探索；展館櫥窗造型以藝術形態表達與建築的巧妙呼應，櫥窗中以發光的線條勾勒出充滿動感的視覺場景，體現設計層次感與通透性，力求吸引途徑此處的人們將目光從櫥窗轉入其它的不同區域。
Stepping into the exhibition hall from the main entrance, a completely new artistic scene; Lighting design plays an important role in creating a dynamic visual effect and attracting people to explore deeply. The window shape of the exhibition hall echoes the ingenious architecture with artistic expression. The window outlines a dynamic visual scene with luminous lines, reflecting the design layering and permeability, and strives to attract people here to turn their eyes from the window to other different areas.
在整個建築改造過程中，設計師特別強調了生態和自然可持續建築材料的使用，整個建築群破舊的建築結構被從頭開始修複，並按照當地保護曆史痕跡的規範進行翻修。外立麵破舊的老紅磚嵌入新的語言，顯露出全新的整個建築結構，為建築表皮帶來新的可能性，詮釋對當代材料的美學演繹，創造了一種新與舊的和諧。
In the whole process of building renovation, the designer particularly emphasized the use of ecological and natural sustainable building materials, and the dilapidated building structure of the whole complex was repaired from scratch and renovated according to the local codes for protecting historical traces. The worn old red brick on the facade embeds new language, revealing a brand-new whole building structure, bringing new possibilities to the building skin, interpreting the aesthetic deduction of contemporary materials, and creating a kind of harmony between the new and the old.
設計師在空間中設置了多個自由變化的幾何形態、內部建築具有7.5m的高度，整個上海獨一無二的雙頂連體結構，在視覺上將雙頂結構空間統一為整體，也為藝術館增添力量感，激發著人們的探索欲。
The designer has set up a number of freely changing geometric shapes in the space, and the interior building has a height of 7.5m The unique double-top conjoined structure in the whole of Shanghai visually unifies the space of the double-top structure, which also adds a sense of strength to the art museum and inspires people’s desire for exploration.
在空間內，我們置入了4個相同規格的六邊形單體結構，如懸浮在地麵上的玻璃box，打破原有空間界限的box結構，我們運用同一種元素但不同的設計手法貫穿整個空間使其連貫且統一；在燈光的選擇方麵，這次我們采用大量線條燈來裝飾點綴，地麵采用了大麵積燈帶光源照明，使室內光源統一均勻，更加激進而立體。
In the space, we put in four hexagonal monomer structures with the same specifications, such as the glass box suspended on the ground and the box structure that breaks the original space boundary. We use the same element but different design techniques throughout the whole space to make it coherent and unified; In the choice of lighting, this time we used a large number of line lights to decorate and decorate, and a large area of lights with light sources were used on the ground to make the indoor light sources uniform, more radical and three-dimensional.
藝術館的空間具有個性和創造特征，按功能以不同比例切割成高低三部分，順應有序分離的動線，每個體塊自由進出互相交融，空間感受與功能需求高效疊加；通過對一天各時段光與陰翳效果的細膩考量，於外牆落地玻璃的幾何造型，引光入室，光影翩躚，為有限的界域注入無盡的想象。
The space of the art museum is characterized by individuality and creativity. It is divided into three parts, high and low, according to different proportions of functions, conforming to the moving lines of orderly separation. Each block is free to enter and exit and blend with each other, and the space feeling and functional requirements are superimposed efficiently. Through careful consideration of the effect of light and shade in different periods of the day, the geometric modeling of the floor-to-ceiling glass on the exterior wall will lead light into the room, and the light and shadow will flutter, injecting endless imagination into the limited boundary.
地麵細石子與青石板材質的銜接，高低錯落的老木板形態肌理，塑造出內部的靈動性，給予每一件藝術作品以最佳觀覽效果，巨大的體塊構築了藝術性與雕塑感，又充滿了趣味性，整體賦予了藝術最真實的情緒傳遞。
The connection between the fine stones on the ground and the bluestone material, and the texture of the old wooden boards strewn at random, shape the internal agility, and give the best viewing effect to every artistic work. The huge blocks build the artistic and sculptural sense, and are full of fun, which endows the art with the truest emotional transmission as a whole.
在空間中我們運用了多種材料，不同質感，拚接,重疊,碰撞，重組，但大部分材料的選取是基於空間的敘事性氛圍，也需要控製整體體驗感的節奏變化；這種變化會讓空間氛圍微妙具有細節,同時又不會搶奪主體的吸引程度；而在需要重點表達的空間區域，我們會運用到跳出整體感的材質，增強空間的衝突感層次感。
In the space, we use a variety of materials with different textures, splicing, overlapping, collision and reorganization, but the selection of most materials is based on the narrative atmosphere of the space, and it is also necessary to control the rhythm change of the overall experience. This change will make the space atmosphere subtle and detailed, while not robbing the attraction of the main body; In the space areas that need to be emphasized, we will use materials that jump out of the sense of wholeness to enhance the sense of conflict in the space.
我們通過遺留或者過去的痕跡來表達作品，所以決定保留部分它原有的結構，牆麵，我們相信這些舊的結構痕跡與新設計的碰撞融合將會呈現給我們完全不一樣的體驗感，以此來製造空間的衝突感與戲劇性；在科技感十足的燈光點綴下，鏽鋼板，裸露的紅磚，質樸的材料，肌理的紋路，顯得更酷，更開放，更未來。
We express our works through the traces left over or past, so we decided to keep some of its original structures and walls. We believe that the collision and fusion of these old structural traces and new designs will give us a completely different sense of experience, so as to create a sense of conflict and drama in space; Under the lighting with full sense of science and technology, rusty steel plates, bare red bricks, plain materials and textured lines look cooler, more open and more promising.
∇ 平麵圖
∇ 南立麵圖
∇ 西立麵圖
∇ 剖麵圖
項目信息
項目名稱：（雲間糧倉建築改造“上海嘻穀藝術館”）
項目地點：中國·上海·鬆江
建築麵積：1200平方米
項目類型：展廳/裝置藝術/紙花雕塑
項目業主：炯瑪實業（上海）有限公司
建築設計：DCDSAA澱川建築事務所
室內設計：DCDSAA澱川建築事務所
主持建築師：王皓
設計團隊：袁鄭亮、唐超、顏丙坤
設計時間：2022年1月
建成時間：2022年7月
施工單位：上海澱川建築設計有限公司
主要材料：石材、鏽鋼板、老木板、玻璃、素水泥、肌理漆
項目攝影：吳清山
Project Name: (Cloud Granary Building Reconstruction “Shanghai Xigu Art Museum”)
Project Location: Songjiang, Shanghai, China
Building Area: 1200 square meters
Type: Exhibition Hall/Installation Art/Paper Flower Sculpture
Owner: Jiongma Industry (Shanghai) Co., Ltd.
Architecture Design: DCDSAA Architecture Office
Interior Design: DCDSAA Architecture Office
Host Architect: Wang Hao
Design Team: Yuan Zhengliang, Tang Chao, Yan Bingkun
Design Time: January, 2022
Completed Time: July, 2022
Construction Unit: Shanghai DCDSAA Architectural Design Co., Ltd.
Main materials: stone material, rusty steel plate, old wooden board, glass, plain cement, texture paint
Project Photographer: Wu Qingshan
