上乘設計 | 濟南大用彙信物珠寶文化館-設計風向

隨著眾多富有中國特色傳統文化基因的民族品牌走入國際視野，傳統文化的輸出獲得了更多途徑。在這樣的時代背景下，大用信承品牌將信物文化與黃金珠寶首度融合創新，以“中華信物文化的傳承者，中國信物珠寶的領航者，中國信禮空間的開創者“的姿態，實現中國品牌形象在世界舞台上再一次的嶄新亮相。

With various national brands which full of traditional cultural genes with Chinese characteristics entering the international vision, the export of traditional culture has gained more channels. Dayong Xincheng brand integrates and innovates token culture and gold jewelry for the first time, with the attitude of “the inheritor of Chinese token culture, the leader of Chinese token jewelry, and the pioneer of China’s letter gift space”, to realize the new appearance of China’s brand on the worldwide stage.

信物文化承載著中華民族“仁義禮智信”的普世價值思想，亦映射著人們對於情感羈絆的鄭重之感。設計師以極具東方韻味的簡易美學作為設計意向，通過描繪人與金石在時間的萬千流轉中的雙向奔赴，從而展開一場以信物為證的“遇見”。提取園林之趣，通過抽象的畫卷形態，多元的屏風樣式，超視覺的空間層次構想，通過實際形態升華 “禮信”質感，讓人在與現實世界的短暫割離中，感受黃金珠寶的東方華麗。

The token culture carries the values of the Chinese people’s “benevolence, righteousness, propriety, wisdom and faith”, and also reflects people’s solemn sense of emotional bondage. The designer takes the simple aesthetics with oriental charm as the design intention, and depicts the two-way rush of man and gold stone in the thousands of passages of time, so as to launch an “encounter” evidenced by tokens. Extracting the interest of the garden, through the abstract picture scroll form, multiple screen styles, ultra-visual spatial level concept, through the actual form sublimation of the ” propriety faith ” texture, make people feel the oriental splendor of gold jewelry in the short separation from the real world.

大用彙位於濟南老商埠，園區建築偏向於民國，為避免建築與內部風格差異過大，主入口外建采用半透明，打孔金屬板，打光形成的幔紗樣通透感，與室內光環境產生呼應，並保證室內采光需求。

Da Yonghui is located in the old commercial port of Jinan.In order to avoid too large differences between the building and the interior style, the main entrance is built with translucent, perforated metal plates, and the light forms a sense of transparency of the curtain, which echoes the indoor light environment and ensures indoor lighting demand.

一層為“遇見”主題信物展館，為不同主題策展提供展示空間。

The first floor is the “Encounter” themed token exhibition hall, which provides exhibition space for curated exhibitions with different themes.

步入室內，以屏風為界形成玄關，規劃瀏覽強製動線，經過人工造景徐徐步入展廳，弧形展牆猶如畫卷於眼前展開，遊走於廊道，與不同時代的藏品產生不期而遇的邂逅，點石成金的礦料作為中心端景展台，可供不同策展主題展示。

Walking indoors, the screen as the boundary to form a entrance, planning to browse the forced flow line, through artificial landscaping slowly step into the exhibition hall, the curved exhibition wall is like a picture scroll unfolding in front of the eyes, wandering in the corridor, and the collections of different eras have unexpected encounters, the mineral material turned into gold as the central end scenery booth, which can be displayed by different curatorial themes.

二層功能劃分為人文客廳，承載待客、分享功能。

The function of the second floor is divided into living room, carries the functions of hospitality and sharing.

近40平沙龍活動室，半透亞克力夾和紙大屏風、大開合透光門扇，在與自然光的交相呼應中，平衡獨屬東方的含蓄與開放。這種遠離塵世的靜謐，隻一眼一耳，仿若縈繞於跨越千古的郎朗書聲中，為日後活動增添濃鬱人文氣息。

Nearly 40 square meters of salon activity room, semi-transparent acrylic clip and paper large screen, large opening and closing transparent door leaf, in the echo of natural light, balance the unique oriental subtlety and openness. This kind of silence far from the world, only one eye and one ear, seems to linger in the sound of Lang Lang’s books that span the ages, adding a rich humanistic atmosphere to future activities.

屏風在項目空間中不單是一個獨特的寫意符號，在體現東方園林的起承轉合之餘，在室內與建築設計平衡中起到平衡的作用。原建築距地高且窄小的窗戶，在半透屏風遮擋後，自然光與室內光融合，虛實之間，達成視覺上的奇妙柔和。

The screen is not only a unique freehand symbol in the project space, but also plays a balancing role in the balance between interior and architectural design in addition to reflecting the beginning and transformation of the oriental garden. The original building has high and narrow windows, and after the semi-transparent screen is blocked, natural light and indoor light are fused, and the virtual and real are achieved to achieve a wonderful soft vision.

三層為定製工坊，定製珠寶的意向客戶，將在更為私密的三層VIP室進行詳談。設計師以更為厚重的調性營造尊享感，與一樓相呼應的中庭端景隱藏於樓梯間背景牆後，一切美好際遇都隻發生在踏足這片領域之後，契合坡屋頂的垂掛物、一抹瀉入的天光，更是加深了這種高品質朦朧感。

The third floor is a bespoke workshop, where prospective customers of custom jewellery will be discussed in detail in the more intimate VIP room on the third floor. The designer creates a sense of exclusivity with a thicker tone, and the atrium end scene that echoes the first floor is hidden behind the background wall of the stairwell, and all good encounters only occur after stepping into this field, which is combined with the hanging of the sloping roof and the splash of skylight, which deepens this sense of high-quality haze.

三間接待室以：“煮雪”“菩提”“禮仁”為主題。在家具飾品的選擇上，更側重於精神上對於東方感的傳承，有意規避複刻品，以保證珠寶的時代感，是空間內獨一無二的存在。

The three reception rooms are themed “boiling snow”, “Bodhi” and ” Liren”. In the selection of furniture accessories, more attention is paid to the spiritual inheritance of the oriental sense, and the intention to avoid replicas is to ensure the sense of the era of jewelry, which is a unique existence in the space.

∇ 一層平麵圖