FDD STUDIO以右.白色容器，借聽四季
White container, listen to the sound of the four seasons
∇ 地理位置
∇ 城市主要區域文化建築聚合@西紮、張永和、王澍、隈研吾
光的維度：Dimensionality of light
光透過空氣介質的傳遞，從無維的存在近而展現為多維的視覺感觀，在觸摸之間變得神秘與現實。當固有物質本身的形態，在光的表像與分解中呈現出不同的化學反應，籍此誕生多重情緒的鏈接。不同維度的光在既定的時空存在差異的共性，然而它有著不斷突破差異共性向統一逆變的微觀矛盾，讓人在周而已複始中新生。
Light is transmitted through air medium, from a dimensionless presence to a multidimensional visual experience, shifting between mysterious and realistic with touches. When the inherent form of matter has different chemical reactions in the appearance and decomposition of light, the link connecting various emotions is emerged. Light of dimensions has a commonality of differences across a given space and time, yet it constantly breaks through the commonality of differences and reverses to a unity, a micro contradiction like a repetitive cycle in which people are revived.
∇ 現場施工記錄
∇ 手稿
時間的重量：Weight of time
不經意的行走中，時間已經覆著在平麵之間。向左或向右，向上或向下，像風吹過樹葉，氣流通過時間的速度，皮膚即刻覺知重量的存在。時間在室內場所的記憶中，容易被忽略，但由於它的鏈接作用，成為了隱藏深處的空間質量。
Unconsciously walking, time has been overlaid between planes. To the left or to the right, up or down, like breeze through leaves, the speed of airflow through time, the skin instantly feels its weight. Time is easily left out in the memory of interior spaces, yet its role of linking becomes the innermost quality of space.
內生與外延：Endogeny and epitaxy
透明玻璃阻隔了內外之間的表麵物理關係，作為分界線，又兼屬著二次物理的媒介。聲音通過振動，由外向內傳遞，室內空間的五感因波動產生相對的反應，生成內空間的豐富性。當內在變化反作用於外部環境時，邊緣不再受限，反應則像立體直覺一樣，向著所需方向前進。室內外之間所有意識形態，在看似毫無關係的模式中，確緊密結合。
Transparent glass, as the demarcation line, blocks the surface physical relationship between interior and exterior, whilst it is a secondary physical medium. Sound is transmitted through vibration, from outside to inside, the five senses of interior spaces respond to the fluctuations and forms the richness of interior spaces. There is no boundary constraints when the inner change reacts to the outer environment, the response moves toward the desired direction like a three-dimensional intuition. All the ideologies between interior and exterior are closely integrated in a seemingly irrelevant pattern.
∇ 手稿
空間的距離：Distance of space
尺度形成緣於功能需求，轉角處的通道，相對擁擠而產生不適的距離感。打破直角的銳力，折疊下遊區域的線狀，轉向45度平麵的斜麵構造，促使兩片二維平麵向多維空間轉換，緩解視覺與身體的壓力，形成過渡空間的通過舒服性。
Dimension is formed to meet functional requirements, in common, the passageway at a 90 º corner is congested and creates a sense of distance that discomforts. Breaking the sharpness of right angle, fold the line of downstream area, convert to a structure with 45 º oblique planes, transforming the two 2D planes into a multi-dimensional space that relieves the visual and physical stress and presents patency.
∇ 手稿
消失的痕跡：Traces of disappearance
讓“設計”消失，本身指向於設計的自由度，不受過度繁鎖的約束，顛覆傳統體係的自然生長。自在的設計方式，容易釋放空間的個性和主張，從而獲得精神和內在的享受。不確定性的思辨，在“設計之外”啟迪“設計主體”，往往帶來不可估量的價值。
The disappearance of “design” refers to the freedom of design, no subject to cumbersome constraints, that subverts the natural development of traditional system. A free design approach, easy to release the characteristics and assertion of the space, immersing in the spiritual and inner satisfaction. The thinking of uncertainty that inspires “design subject” “outside the design” often brings inestimable value.
盾去白色：Fade of white
白色的牆體成為自然光線的載體，明暗交錯清晰可見。退讓使白色更輕鬆的將四季的色彩引入內部，更替變化，永不停歇。安靜的白，不是簡單而論的平乏，它是具備多元的包容性和融合力，使空間內的結構和光影從物理上對其向心聚集。
The white wall becomes a carrier of natural light, highlights the interplay of light and dark. The humble white introduces the colors of four seasons into the interior, in perpetual cycles. Quiet white is not flat, yet it is diverse and inclusive, and conglomerates the structure and light to center.
∇ 項目原場地
項目信息
項目名稱：FDD 藝術廊
項目地址：中國 寧波
項目時間：2022.04
設計公司：FDD STUDIO
設計主持：以右
裝置設計：FDD STUDIO
產品設計：FDD STUDIO
媒體運營：孫予辰辰
Project Name: FDD ArtGallery
Project address: Ningbo, China
Project time: April 2022
Design Company: FDD STUDIO
Design Director: Yi You
Device design: FDD STUDIO
Product Design: FDD STUDIO
Media Operations: Sun Yu Chen Chen
