轉述與獨白
Paraphrasing and monologue
轉述，永遠存在誤解獨白，更能觸及真實
Paraphrasing, there are always misunderstandings monologues, more touching on the truth
我們希望展示木的質感與構造的工藝，而不隻是完全粉飾後的“完美產品”。
We wanted to show the texture and construction of the wood, not just the “perfect product” after a complete whitewash.
我們不創造新奇的形式，但力求探索木作展廳的本質。
We do not create novel forms, but strive to explore the essence of the wood exhibition hall.
讓形式回歸極致的簡單與純粹以呈現木作行業最為基本的屬性:木質與構造
Let the form return to the ultimate simplicity and purity to present the most basic attributes of the wood industry: wood and structure
創造新的形式並不困難，但要把一個空間類型的本質研究透徹則需要付出更深刻的思考。
It is not difficult to create new forms, but to thoroughly study the nature of a spatial type requires deeper thinking.
32mm 係統
32mm system
32mm係統是一種依據單元組合理論，通過模數化、標準化的“接口”來構築家具的製造係統。這個係統采用32mm 作為基本模數，所以被命名為“32mm係統”。
32mm system is a kind of furniture manufacturing system based on the unit combination theory, through the modular, standardized “interface” to build furniture. This system uses 32mm as the basic module, so it is named “32mm system”.
32mm係統的核心是以櫃體的旁板為中心，因為旁板幾乎與櫃類家具的所有零部件都發生關係。旁板前後兩側加工的排孔間距均為32mm或32mm的倍數。預鑽孔分為結構孔和係統孔，分別用於連接水平結構板和安裝五金件等。
The core of the 32mm system is the side plate of the cabinet, because the side plate is related to almost all parts of the cabinet furniture. The hole spacing of the front and back sides of the side plate is 32mm or a multiple of 32mm. Pre-drilled holes are divided into structural holes and system holes for connecting horizontal structural plates and installing hardware, respectively.
此外，32mm係統還采用了“對稱原則”設計和加工旁板上的安裝孔，以提高生產效率、降低成本，並使家具的多功能組合變化成為可能。這個係統已成為家具設計與製造工業化的標誌。
In addition, the 32mm system also uses the “principle of symmetry” to design and process mounting holes on the side panels to increase production efficiency, reduce costs, and enable versatile combination changes in furniture. This system has become a symbol of the industrialization of furniture design and manufacturing.
木作展廳的方向應該是多元的而不是僅僅是各類生活空間的整合並列展示。
The direction of the wood exhibition hall should be diversified rather than just the integration and juxtaposition of various living Spaces.
我們希望給到品牌方和體驗者更多自由。
We want to give brands and experiencers more freedom.
自由才是體驗的靈魂，而不是絕對的控製。
Freedom is the soul of experience, not absolute control.
空間的裝飾與產品的呈現需要退後，讓位於客戶的真實體驗。
The decoration of the space and the presentation of the product need to step back and give way to the real experience of the customer.
當客戶與產品產生真實的互動觸覺被放大，體驗的記憶通過觸覺而加深。
When the customer has real interaction with the product, the sense of touch is amplified, and the memory of the experience is deepened through the sense of touch.
形式
form
是創作的結果，而不是目的。
It is the result of creation, not the purpose.
過度的形式，隻會削弱產品本身的特質。
Excessive form will only weaken the character of the product itself.
形式的退讓，才能產生更好的互動。
Form of concessions, in order to produce better interaction.
當產品自己可以發聲，任何銷售的語言都將變得蒼白。
When the product itself can speak, any sales language will pale.
轉述永遠存在誤解，獨白更能傳達真實。
There are always misunderstandings in paraphrasing,Monologues convey more truth.
追逐與反思
Pursuit and reflection
不複製流行，對流行進行反思
不追求永恒，追求功能的永續
Do not copy the popular,Reflect on the popularity
Do not seek eternity,Pursue functional sustainability
木作市場的產品，直接反應了當下市場的審美傾向。審美的背後，是流行的影響。我們無法避開當下流行的趨勢和風格於此同時也在不斷見證風格的快速更新。
The products of the wood market directly reflect the aesthetic tendency of the current market. Behind the aesthetic is the influence of fashion. We can’t avoid the current trends and styles and at the same time we are constantly witnessing the rapid change of styles.
麵對流行，我們的態度與選擇決定了一個品牌的方向與未來,也體現一名設計師的態度。
In the face of fashion, our attitude and choice determine the direction and future of a brand, and also reflect the attitude of a designer.
重複流行，意味著迎合，迎合是缺乏思辨態度的行為。
To repeat popularity means to cater, and catering is to act without a critical attitude.
追逐流行，流行一定會毫不留情的甩開你。
Go after fashion, fashion will leave you without mercy.
流行，本身就意味著過時。
Being in fashion itself means being out of fashion.
我們不複製流行，我們希望體現更多對於流行的反思。
We don’t copy fashion, we want to reflect more on fashion.
我們不追求永恒，我們隻追求功能的永續以麵對未來。
We do not seek eternity, we seek only functional sustainability to face the future.
永恒，難以鑄就。
但是 永續，值得探索
Eternal, hard to make.
however Sustainable and worth exploring
當下與未來
Present and future
隻有從未來的角度思考當下
行動的腳步才可以更加堅定
Only think of the present in terms of the future
The pace of action can be more firm
曾有一位在木作行業打拚多年的老板表示，一個木作展廳投入巨資，裝完 1-2 年後就會麵臨過時的情況。
A boss who has struggled in the wood industry for many years said that a wood exhibition hall invested heavily and would face obsolescence after 1-2 years of installation.
重裝還是保留，是他會持續麵臨的問題。這背後的思考核心其實是:成本。
Reinstall or keep, is a question he will continue to face. The thinking behind this is really about cost.
盲目跟進流行風格，必然會發生過時的情況。一旦空間需要更新與更換，必然會產生大量的拆改，這背後就是成本的增加。這對任何一個商業機構都是必須麵對的情況。
Blindly following popular styles will inevitably lead to obsolescence. Once the space needs to be updated and replaced, it will inevitably produce a large number of demolition and renovation, which is behind the increase in costs. This is a situation that any business organization must face.
作為設計師，我們必須站在未來回看現在。
As designers, we must stand in the future and look back at the present.
一個品牌到底需要怎樣的空間?
What kind of space does a brand need?
我們選擇用設計的策略去減少成本的無序產生。用模塊化的布局、模塊化的展示、模塊化的活動家具設計去適應不同的場景、不同的人群以及不同的時間。
We choose to use design strategies to reduce the cost of disorderly generation. With modular layout, modular display, modular activity furniture design to adapt to different scenes, different people and different times.
產品可以拆解，可以移動，可以循環利用。
Products can be disassembled, they can be moved, they can be recycled.
場景可以切換，可以改變，可以適應變化。
Scenes can be switched, they can change, they can adapt.
木作展廳需要革新之作。
The wood exhibition hall needs innovation.
項日信息
項目名稱：Anone 太原木作展廳
項目地點：太原中國 山西
項目麵積：1075 平米
設計機構：不或設計；設計總監：倪董波
設計團隊：馮突傑
品牌設計：好才視設所
設計時間：2022 年
完工時間：2024年
主材供應：艾諾一宅、普旭智能、感物地板
項目攝影：雲眠攝影工作室
Project Name:Anone Taiyuan wood work exhibition Hall
Project location:Taiyuan Shanxi China
Project area:1075 m²
Design agency does not or designs:NDB DESIGN
Design Team:Feng Tujie
Brand Design:GOOD MONEY STUDIO
Completion time:2024
Main material supply:ANONE , Pu Xu intelligence, UganConcept
Project photography:Yunmian Photography Studio
