在狄奧尼索斯的神性輝光中，人與人的裂隙迸發著愈合的岩漿，那疏離、充滿敵意又枷鎖纏身的自然，也終與失落的子嗣——人類，重締盟約。此刻每個靈魂觸摸到的，不止是和解與交融，而是穿透血肉藩籬的終極共相——所有存在在此熔鑄成渾然一體。——尼采
Unter dem Zauber des Dionysischen schließt sich nicht nur der Bund zwischen Mensch und Mensch wieder zusammen: auch die entfremdete, feindliche oder unterjochte Natur feiert wieder ihr Versöhnungsfest mit ihrem verlorenen Sohne, dem Menschen.fühlt sich jeder mit seinem Nächsten nicht nur vereinigt, versöhnt, verschmolzen, sondern eins.——Nietzsche
空間敘事 / Spatial Narrative
從人類曆史萌芽到現代社會的發展，精神文化活動始終伴隨文明的演變。由歌舞、儀式、競技到文學、詩歌，再到如今的影視、電子遊戲、流媒體世代，隨著社會的進步與發展，人們的角色身份日益多樣化，傳統形式已難以滿足人們複雜的情感需求。唯因萬境由此誕生，以傳統的文娛休閑形式：戲劇為引子，融合社交、輕餐、酒吧、冥想與沙龍，打造一場文化與消費交融的空間實驗。
From the dawn of human history to the development of modern society, spiritual and cultural activities have consistently evolved alongside civilizations. Spanning from song-dance rituals and competitive games to literature and poetry, then progressing to contemporary film, video games, and the streaming media era, the advancement of society has witnessed increasingly diversified human roles and identities. Traditional forms have gradually become inadequate in satisfying people’s complex emotional needs. It is within this context that WEIIN DRAMA emerges – using traditional theatrical entertainment as its foundation while innovatively integrating social interaction, light dining, bars, meditation, and salons to create a spatial experiment where cultural elements interweave with consumer experiences.
∇ 唯因萬境主界麵，WEIIN DRAMA Main entrance ©徐英達，黃迪
∇ 入口，Entrance ©徐英達，黃迪
∇ 首期劇目，Premiere Production ©唯因萬境
古希臘人視酒為現實與精神的紐帶，是滿足物質需求之餘，從生存的勞作中暫時解放的靈藥。根據亞裏士多德記載，希臘人每年都會通過暢飲、高歌、舞蹈及象征意義的慶典以祭祀酒神狄俄尼索斯——葡萄收獲與釀酒之神。戲劇便源於酒神慶典中的歌舞表演。
The ancient Greeks viewed wine as a bridge between the physical and spiritual realms – an elixir that satisfied material needs while offering temporary liberation from life’s toils. According to Aristotle’s records, Greeks annually honored Dionysus, the god of wine, grape harvest, and winemaking, through ecstatic drinking, impassioned singing, ritual dances, and symbolic ceremonies. It was within these Dionysian rituals that theater itself was born, emerging organically from the choral performances and ecstatic celebrations dedicated to the wine deity.
∇ 狄俄倪索斯——酒與戲劇之神，Dionysus —— God of Wine and Theater
項目位於上海市浦東區前灘31樂薈商圈，整體室內麵積880平方米。包含酒吧、輕餐、劇社、劇場等多重複合功能。在唯因萬境，劇場與酒吧是戲與酒的交叉賦能。舞台與吧台打破傳統界限，不必是平鋪直敘的兩個空間，通過非線性動線、燈光與結構設計——就如同戲劇講究通過劇幕結構的編排、布景與燈光的變化來交代情節的與角色的轉換一樣，賦予空間起承轉合的戲劇性，構建出一個環形的敘事空間，將分離的角色、事件、場景重新組織，讓觀眾與演員共同編織故事，模糊觀演邊界。
The project is located in the Qiantan 31 Lehui Commercial District, Pudong New Area, Shanghai, with a total indoor area of 880 square meters. It integrates multiple composite functions including a bar, casual dining options, a drama club, a theater, and other versatile spaces. In WEIIN DRAMA, theater and bar converge through a synergistic interplay of performance and libation. The stage and the bar counter dissolve their conventional divide—no longer linear, isolated spaces but a choreographed ecosystem where non-linear circulation paths, lighting interventions, and architectural gestures operate as spatial “stage directions.” Much like theatrical dramaturgy manipulates acts, scenery, and lighting to orchestrate plot shifts and character metamorphoses, this design philosophy imbues the space with narrative cadence—transforming it into a cyclical story loop that reconfigures fragmented roles, events, and scenes. Here, audiences and performers co-author narratives within a permeable fourth wall, their identities fluidly oscillating between observers and protagonists amidst the intoxicating alchemy of drama and Dionysian revelry.
∇ 酒吧空間，Bar area ©徐英達，黃迪
∇ 吧台a，Bar a ©徐英達，黃迪
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